Bernard Faure
Bernard Faure, Kao Professor in Japanese Religion, received his Ph.D. (Doctorat d’Etat) from Paris University (1984). He is interested in various aspects of East Asian Buddhism, with an emphasis on Chan/Zen and Tantric or esoteric Buddhism. His work, influenced by anthropological history and cultural theory, has focused on topics such as the construction of orthodoxy and heterodoxy, the Buddhist cult of relics, iconography, sexuality and gender. His current research deals with the mythico-ritual system of esoteric Buddhism and its relationships with medieval Japanese religion. He has published a number of books in French and English. His English publications include: The Rhetoric of Immediacy: A Cultural Critique of Chan/Zen Buddhism (Princeton 1991), Chan Insights and Oversights: An Epistemological Critique of the Chan Tradition (Princeton 1993), Visions of Power: Imagining Medieval Japanese Buddhism (Princeton 1996), The Red Thread: Buddhist Approaches to Sexuality (Princeton 1998), The Power of Denial: Buddhism, Purity, and Gender (Princeton 2003), and Double Exposure (Stanford 2004). (Source Accessed Jun 10, 2019).
He recently completed a two-volume work on Japanese Gods and Demons: The Fluid Pantheon: Medieval Japanese Gods, Volume I and Protectors and Predators: Medieval Japanese Gods, Volume 2 (Both volumes by University of Hawai'i Press, 2015).
Library Items
Currents and Countercurrents
Soon after the inception of Buddhism in the sixth or fifth century B.C.E., the Buddha ordered his small band of monks to wander forth for the welfare and weal of the many, a command that initiated one of the greatest missionary movements in world religious history. But this account of a monolithic missionary movement spreading outward from the Buddhist homeland of India across the Asian continent is just one part of the story. The case of East Asian Buddhism suggests another tale, one in which the dominant eastward current of diffusion creates important eddies, or countercurrents, of influence that redound back toward the center. These countercurrents have had significant, even profound, impact on neighboring traditions.
In East Asia perhaps the most important countercurrent of influence came from Korea, the focus of this volume. Chapters examine the role played by the Paekche kingdom in introducing Buddhist material culture (especially monastic architecture) to Japan and the impact of Korean scholiasts on the creation of several distinctive features that eventually came to characterize Japanese Pure Land Buddhism. The lives and intellectual importance of the monks Sungnang (fl. ca. 490) and Wonch’uk (613–696) are reassessed, bringing to light their role in the development of early intellectual schools within Chinese Buddhism. Later chapters discuss the influential teachings of the semi-legendary master Musang (684–762), the patriarch of two of the earliest schools of Ch’an; the work of a dozen or so Korean monks active in the Chinese T’ient’ai tradition; and the Huiyin monastery. Source: University of Hawai'i Press
In East Asia perhaps the most important countercurrent of influence came from Korea, the focus of this volume. Chapters examine the role played by the Paekche kingdom in introducing Buddhist material culture (especially monastic architecture) to Japan and the impact of Korean scholiasts on the creation of several distinctive features that eventually came to characterize Japanese Pure Land Buddhism. The lives and intellectual importance of the monks Sungnang (fl. ca. 490) and Wonch’uk (613–696) are reassessed, bringing to light their role in the development of early intellectual schools within Chinese Buddhism. Later chapters discuss the influential teachings of the semi-legendary master Musang (684–762), the patriarch of two of the earliest schools of Ch’an; the work of a dozen or so Korean monks active in the Chinese T’ient’ai tradition; and the Huiyin monastery. Source: University of Hawai'i Press
Buswell, Robert E., ed. Currents and Countercurrents: Korean Influences on the East Asian Buddhist Traditions. Honolulu: University of Hawaiʻi Press, 2005.
Buswell, Robert E., ed. Currents and Countercurrents: Korean Influences on the East Asian Buddhist Traditions. Honolulu: University of Hawaiʻi Press, 2005.;Currents and Countercurrents;Tien Tai;History;Zen - Chan;Pure Land;Currents and Countercurrents: Korean Influences on the East Asian Buddhist Traditions
The Rhetoric of Immediacy
Through a highly sensitive exploration of key concepts and metaphors, Bernard Faure guides Western readers in appreciating some of the more elusive aspects of the Chinese tradition of Chan Buddhism and its outgrowth, Japanese Zen. He focuses on Chan’s insistence on “immediacy” — its denial of all traditional mediations, including scripture, ritual, good works — and yet shows how these mediations have always been present in Chan. Given this apparent duplicity in its discourse, Faure reveals how Chan structures its practice and doctrine on such mental paradigms as mediacy/immediacy, sudden/gradual, and center/margins. (Source: Princeton University Press)
Faure, Bernard. The Rhetoric of Immediacy: A Cultural Critique of Chan/Zen Buddhism. Princeton, NJ: Princeton University Press, 1991.
Faure, Bernard. The Rhetoric of Immediacy: A Cultural Critique of Chan/Zen Buddhism. Princeton, NJ: Princeton University Press, 1991.;The Rhetoric of Immediacy;Zen - Chan;Bernard Faure;The Rhetoric of Immediacy: A Cultural Critique of Chan/Zen Buddhism
Affiliations & relations
- Columbia University · workplace affiliation
- Department of Religion · workplace affiliation
