For the DDB, John provided explanations for a number of terms derived from his research in Chinese Chan texts. (Source Accessed Nov. 27, 2019)
Library Items
The field of Ch'an studies has seen some very lively disputes over the course of the twentieth century, but there has been general agreement on the proposition that the doctrine of sudden enlightenment represents the highest expression of the doctrinal mainstream of early Chinese Ch’an Buddhism. Although there is some quibbling regarding details and specific interpretations, scholars working in this field often describe the history of the doctrine of sudden enlightenment within Ch’an in terms of three subjects: (1) Hui-neng’s doctrine of sudden enlightenment as shown in his "mind verse" (hsin-chieh) in the Platform Sutra of the Sixth Patriarch (Liu-tsu t'an-ching); (2) Shen-hui’s campaign in opposition to the gradual teaching of the Northern school and in support of the public recognition of Hui-neng as sixth patriarch; and (3) the continuation of the spirit of Hui-neng in the teachings and religious practice of Ma-tsu, Shih-t'ou, and the later Ch’an tradition
Research done in recent years has shown that the traditional interpretations of these three subjects are all substantially incorrect, although the implications of these findings have not yet been fully realized. The history of early Ch'an is in the process o f being thoroughly rewritten, but it is already clear that the doctrine of sudden enlightenment and the dispute between the sudden and gradual teachings should no longer be used as yardsticks by which the religious message of Ch'an and its widespread acceptance in T'ang dynasty China are understood. (McRae, "Shen-hui and the Teaching of Sudden Enlightenment in Early Ch'an Buddhism," 227)
Volume 48
The Platform Sutra of the Sixth Patriarch consists of a record of the teachings of Hui-neng, the Sixth Patriarch of the Chan School in China, recorded by his disciple Fahai, and is known by several abbreviated titles such as Platform Sūtra or Platform Sūtra of the Dharma Treasure. It proclaims the independence of the Southern School of Chan from the Northern School on such subjects as "sudden enlightenment" (Ch. dun-wu) and the external expression of one's real nature (Ch. jian-xing).
Source
Volume 12
The Sutra of Queen Śrīmālā of the Lion's Roar
The Sutra of Queen Śrīmālā of the Lion's Roar, generally known by its abbreviated title of Śrīmālā-sūtra, was expounded by Śrīmālā, the daughter of King Prasenajit of Śrāvasti, under the inspiration of Śākyamuni. Its important subjects include the theory of the “One True Vehicle” and the dharmakāya. Distinguished from other sūtras with the leading role played by a woman, and with the guarantee given by Śākyamuni therein, the text celebrates the potential of all people to become Buddhas and provides textual authority to counteract cultural gender bias.
In Japan this sūtra is further distinguished by the commentary (Taishō 106) attributed to Prince Shōtoku, included in his “Commentaries on Three Sūtras” (Jp. San-gyō gi-sho).
Source:
Skt. Śrīmālādevīsiṃhanāda-sūtra, translated into the Chinese by Guṇabhadra as Shengman shizihou yisheng defang bianfang guang jing (勝鬘師子吼一乘大方便方廣經). 1 fascicle.
Taishō 475
Volume 14
The Vimalakīrti Sutra
In The Vimalakīrti Sutra the protagonist is a layman by the name of Vimalakīrti, well-versed in the profundities of Mahāyāna Buddhism. He happens to fall ill, and the sūtra starts from the point where Śākyamuni, hearing of his illness, asks his disciples to go to visit him. However, since each of the disciples has in the past been got the better of by Vimalakīrti in some way or other, they all refuse to go; so in the end it is Mañjuśrī who agrees to visit him in their stead. As a result a discussion on the profound teachings of the Mahāyāna unfolds between Vimalakīrti and Mañjuśrī. This sūtra is held in high regard in Japan, not least because Prince Shōtoku included a commentary on it (Taishō 107) in his Commentaries on Three Sūtras (San-gyō-gi-sho). Beyond that, the text has considerable appeal due to its dramatic contents, and is an important key to an understanding of the profound thought of Mahāyāna Buddhism.
Source:Skt. Vimalakīrtinirdeśa-sūtra. Translated into the Chinese by Kumārajīva as Weimojie suoshuo jing (維摩詰所説經). 3 fascicles. (Source: BDK America)
