The committee consists of a broad group of translators, editors, and graphic artists committed to the task of translating Buddhist classics into English and other languages.
For more information on this institute, please see the Buddhist Higher Education Program of this site. Tsadra Foundation grantee since 2007.
Translations
Dharmachakra is presently working on various translations of central scriptures containing the Buddha’s words as they are expressed in the sutras and the tantras as well as the most pivotal Indian and Tibetan commentaries on these enlightened statements.
A major project of the committee is the translation of the so-called “Thirteen Great Scriptures” of classical Indian Buddhism together with their commentaries by the Tibetan masters Jamgön Mipham and Khenpo Shenga. The first of these volumes, Middle Beyond Extremes, was published in 2007. Upcoming volumes in this series include Maitreya’s Ornament of the Great Vehicle Sutras and Distinguishing Phenomena and Their Intrinsic Nature. The remaining volumes will be made available over the coming years.
In addition to the works of Khenpo Shenga and Jamgön Mipham, the committee also translates selected texts from the writings of the Karmapas as well as the works of the masters of the Rimé Tradition: Jamgön Kongtrul, Jamyang Khyentse Wangpo, and Chokgyur Lingpa.
Current Projects as a Tsadra Foundation Grantee
No current projects
Completed Projects as a Tsadra Foundation Grantee
- Luminous Essence: A Guide to the Guhyagarbha Tantra, Jamgön Mipham
- Ornament of Reason, Mabja Jangchub Tsondru
- Distinguishing Phenomena and Their Intrinsic Nature, Maitreya-Asanga, commentaries by Khenpo Shenga and Jamgön Mipham
- Ornament of the Great Vehicle Sutras (Mahayanasutralamkara), Maitreya-Asanga, commentaries by Khenpo Shenga and Jamgön Mipham
- Vajra Wisdom: Deity Practice in Tibetan Buddhism, Shechen Gyaltsap
Dharmachakra Translation Committee Memberts:
- Chökyi Nyima Rinpoche, Ka-Nying Shedrub Ling Monastery
- Khenpo Trogpa Tulku
- Khenpo Urgyen Tenpel
- Lama Tenzin Sangpo
- Karma Ozer Lama, Ka-Nying Shedrub Ling Monastery
- Dr. Andreas Doctor, Rangjung Yeshe Institiute/Kathmandu University
- Dr. James Gentry, Harvard University
- Dr. Joseph McClennan
- Dr. Mattia Salvini, Mahidol University
- Dr. Thomas Doctor, Kathmandu University
- Ven. Ani Jinpa (Eugenie De Jong)
- Alex Yiannopoulos
- Anders Bjornback
- Anna Zilman, Rangjung Yeshe Institute
- Benjamin Cassard, Rangjung Yeshe Institute
- Benjamin Collett
- Catherine Dalton, Rangjung Yeshe Institute/ Dharmachakra Translation Center /UC Berkeley
- Guillaume Avertin
- Heidi Koppl
- Miguel Fares Sawaya, Rangjung Yeshe Institute
- Nika Jovic
- Ryan Damron, UC Berkeley/Rangjung Yeshe Gomde California
- Timothy Hinkle
- Wiesiek Mical, Kathmandu University
- Zachary Beer, UC Berkeley
To learn more, visit Dharmacharkra.net
Library Items
In pithy verses, Distinguishing the Middle from Extremes employs the principle of the three natures to explain the way things seem to be as well as the way they actually are. Unraveling the subtle processes that condition our thinking and experience, Maitreya’s teaching reveals a powerful path of compassionate vision and spiritual transformation.
Distinguishing the Middle from Extremes is presented here alongside commentaries by two outstanding masters of Tibet’s nonsectarian Rimé movement, Khenpo Shenga and Ju Mipham. (Source: Shambhala Publications)The Ornament provides a comprehensive description of the bodhisattva’s view, meditation, and enlightened activities. Bodhisattvas are beings who, out of vast love for all sentient beings, have dedicated themselves to the task of becoming fully awakened buddhas, capable of helping all beings in innumerable and vast ways to become enlightened themselves. To fully awaken requires practicing great generosity, patience, energy, discipline, concentration, and wisdom, and Maitreya’s text explains what these enlightened qualities are and how to develop them.
This volume includes commentaries by Khenpo Shenga and Ju Mipham, whose discussions illuminate the subtleties of the root text and provide valuable insight into how to practice the way of the bodhisattva. Drawing on the Indian masters Vasubandhu and, in particular, Sthiramati, Mipham explains the Ornament with eloquence and brilliant clarity. This commentary is among his most treasured works. (Source: Shambhala Publications)Affiliations & relations
- Dharmacharkra.net · websites