Zhiyi

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Zhiyi(538 - 597) 
智顗 · 지의

(J. Tendai Chigi; K. Ch’ǒnt’ae Chiǔi) (538-597). One of the most influential monks in Chinese Buddhist history and de facto founder of the Tiantai zong. A native of Jingzhou (in present-day Hunan province), Zhiyi was ordained at the age of eighteen after his parents died during the wartime turmoil that preceded the Sui dynasty’s unification of China. He studied vinaya and various Mahāyāna scriptures, including the Saddharmapuṇḍarīkasūtra ("Lotus Sūtra'") and related scriptures. In 560, Zhiyi met Nanyue Huisi (515-577), who is later listed as the second patriarch of the Tiantai lineage, on Mt. Dasu in Guangzhou and studied Huisi’s teachings on the suiziyi sanmei (cultivating samādhi wherever mind is directed, or the samādhi of freely flowing thoughts), the "four practices of ease and bliss" (si anle xing), a practice based on the Saddharmapuṇḍarīkasūtra, and the lotus repentance ritual. Zhiyi left Huisi at his teacher’s command and headed for the Southern capital of Jinling (present-day Jiangsu province) at the age of thirty (567) to teach the Saddharmapuṇḍarīkasūtra and the Dazhidu lun for eight years at the monastery of Waguansi. The Shi chanboluomi cidi famen [alt. Cidi chanmen] are his lecture notes from this period of meditation and teaching. In 575, he retired to Mt. Tiantai (present-day Zhejiang province), where he built a monastery (later named Xiuchansi by the emperor) and devoted himself to meditative practice for eleven years. During this time he compiled the Fajie cidi chumen and the Tiantai xiao zhiguan. After persistent invitations from the king of Chen, Zhiyi returned to Jinling in 585 and two years later wrote the Fahua wenju, an authoritative commentary on the Saddharmapuṇḍarīkasūtra. Subsequently in Yangzhou, Zhiyi conferred the bodhisattva precepts on the crown prince, who later became Emperor Yang (r. 604-617) of the Sui dynasty. Zhiyi was then given the title Great Master Zhizhe (Wise One). Zhiyi also established another monastery on Mt. Dangyang in Yuquan (present-day Hunan province), which Emperor Wen (r. 581-604) later named Yuquansi. Zhiyi then began lecturing on what became his masterpieces, the Fahua xuanyi (593) and the Mohe zhiguan (594). At the request of the king of Jin, in 595 Zhiyi returned to Yangzhou, where he composed his famous commentaries on the Vimalakīrtinirdeśa, i.e., the Weimojing xuanshou and the Weimojing wenshou, before dying in 597. Among the thirty or so works attributed to Zhiyi, the Fahua xuanyi, Fahuawenju, and Mohe zhiguan are most renowned and are together known as the Tiantai san dabu (three great Tiantai commentaries). (Source: "Tiantai Zhiyi." In The Princeton Dictionary of Buddhism, 911–12. Princeton University Press, 2014. http://www.jstor.org/stable/j.ctt46n41q.27.)

Library Items

Book
The Six Dharma Gates to the Sublime
"The Six Gates to the Sublime" is a classic Buddhist meditation instruction manual explaining the six practices crucial to success in traditional Indian Buddhist breath-focused (anapana) meditation and calming-and-insight (samatha-vipasyana) meditation. Correctly implemented, these six "gates" lead the meditator to realization of the fourth of the four truths (cessation), of which the "sublimity" referenced in the title is one of the four canonically-described practice aspects. This classic was written by the sixth-century monk and meditation master, Shramana Zhiyi (Chih-i), one of the most illustrious figures in the history of Chinese Buddhism. Master Zhiyi is famous for his role in the founding of the Tiantai teachings lineage and for his authorship of a quartet of meditation manuals of which this is one. The translator of this volume is the American monk, Bhikshu Dharmamitra, a translator of numerous classic works from the Indian and Chinese Buddhist traditions. (Source Accessed July 15, 2021)
Dharmamitra, Bhikshu, trans. The Six Dharma Gates to the Sublime. By Śramaṇa Zhiyi (Chih-i). Kalavinka Buddhist Classics. Seattle: Kalavinka Press, 2009.

On the topic of this person

Video
Buddha-Nature according to Zhiyi and the T'ien T'ai Tradition by Jamie Hubbard and Paul Swanson
Paul Swanson discusses the way in which Zhiyi understood the concept of buddha-nature and goes on to place that theory in the broader context of T'ien T'ai Buddhism.
Hubbard, Jamie, and Paul Swanson. "Buddha-Nature according to Zhiyi and the T'ien T'ai Tradition." Interview by Marcus Perman, Alex Gardner, and José Cabezón. AAR Annual Meeting, Denver, CO, Nov. 2018. Video, 4:19. https://www.youtube.com/watch?v=ZI4wpr4NAjk.
Interview
Buddha-Nature in Early Chan and Japanese Zen by Rev. Kokyo Henkel: Conversations on Buddha-Nature
In this video, part of the ongoing series entitled "Conversations on Buddha-Nature" produced by the Tsadra Foundation, Lopen Dr. Karma Phuntsho and Rev. Kokyo Henkel discuss buddha-nature in early Chan and Japanese Zen and comparisons with Tibetan Dzogchen. They also discuss some Koans, Dōgen, and many textual sources from Indian sutras in Tibetan and Chinese translation to sources for key schools of Buddhism in China and Japan up to more modern texts.

Kokyo Henkel has been practicing Zen since 1990 in residence at Tassajara Zen Mountain Center (most recently as Head of Practice), Green Gulch Farm Zen Center, No Abode Hermitage in Mill Valley, and Bukkokuji Monastery in Japan. He was ordained as a priest in 1994 by Tenshin Anderson Roshi and received Dharma Transmission from him in 2010. Kokyo is interested in exploring how the original teachings of Buddha-Dharma from ancient India, China, and Japan can still be very much alive and useful in present-day America to bring peace and openness to the minds of this troubled world.

Kokyo has also been practicing with the Tibetan Dzogchen ("Great Completeness") Teacher Tsoknyi Rinpoche since 2003, in California, Colorado, and Kathmandu.
Henkel, Rev. Kokyo. "Buddha-Nature in Early Chan and Japanese Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 1:23:03. https://youtu.be/j_V3v-oqnNU.
Video
Rev. Kokyo Henkel: On the Various Early Influences on the Formation of the Zen Tradition
Henkel, Rev. Kokyo. "On the Various Early Influences on the Formation of the Zen Tradition." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 8:05. https://youtu.be/6w6KD6Ez8Yc.
Henkel, Rev. Kokyo. "On the Various Early Influences on the Formation of the Zen Tradition." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 8:05. https://youtu.be/6w6KD6Ez8Yc.
Video
Rev. Kokyo Henkel: Zhiyi's Six Dharma Gates to the Sublime and the Relationship between Tiantai and Zen
Henkel, Rev. Kokyo. "Zhiyi's Six Dharma Gates to the Sublime and the Relationship between Tiantai and Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 4:14. https://youtu.be/6n8SpHNZC4o.
Henkel, Rev. Kokyo. "Zhiyi's Six Dharma Gates to the Sublime and the Relationship between Tiantai and Zen." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 26, 2021. Video, 4:14. https://youtu.be/6n8SpHNZC4o.
Book
Sudden and Gradual
This volume examines the historical basis of the debate over sudden versus gradual approaches to enlightenment in Chinese Buddhism, seeing it as part of a recurrent polarity in Chinese history and thought. Sudden and Gradual includes essays by Luis O. Gómez on the philosophical implications of the debate in China and Tibet, Whalen Lai on Taodheng's theory of sudden enlightenment, Neal Donner on Chih-i's system of T'ien-t'ai, John R. McRae on Shen-Hui's sudden enlightenment and its precedents in Northern Ch'an, and Peter N. Gregory on Tsung-mi's theory of sudden enlightenment. (Source: Motilal Banarsidass)
Gregory, Peter N., ed. Sudden and Gradual: Approaches to Enlightenment in Chinese Thought. Buddhist Tradition Series 16. Delhi: Motilal Banarsidass, 1991. First published 1987 by University of Hawai'i Press. https://terebess.hu/zen/Sudden-and-Gradual-Enlightenment.pdf.
Article
T'ien-T'ai Chih-I's Theory of Buddha Nature—A Realistic and Humanistic Understanding of the Buddha
Heng-ching Shih, in her contribution, explores in some detail the T'ien-t'ai view of Buddha Nature, with a special focus on the question of evil. This is clearly a difficult issue for any philosophical school whose basic affirmation is that all living beings are naturally and originally pure and radiant: how, if this is true, can one account for the apparent existence of evil, the opposite or absence of this purity and radiance? Shih's chronological review of the development of the theory of "inherent evil" in T'ien-t'ai begins with the Ta ch'eng chih-kuan fa men which, in accord with the tradition, she judges to predate Chih-i himself, and then proceeds to an analysis of the Kuan-yin hsüan-i, a work that, again following tradition, she attributes to Chih-i. It is probably fair to say that the weight of contemporary historical-critical scholarship in both Japan and the West is against both this chronology and this attribution; Shih is, of course, aware of this, but judges the arguments against the traditional position to be inconclusive. The matter is complex, and the importance of Shih's paper lies not in this but rather in the substantive doctrinal analysis she provides of "inherent evil". (Griffiths and Keenan, introduction to Buddha Nature, 6)
Shih, Heng-Ching. "T'ien-T'ai Chih-I's Theory of Buddha Nature—A Realistic and Humanistic Understanding of the Buddha." In Buddha Nature: A Festschrift in Honor of Minoru Kiyota, edited by Paul J. Griffiths and John P. Keenan, 153–70. Tokyo: Buddhist Books International, 1990.
Article
T'ien-t'ai Chih'i's Concept of Threefold Buddha Nature-A Synergy of Reality, Wisdom, and Practice
Paul L. Swanson's contribution, on Chih-i's threefold concept of Buddha Nature, places T'ien-t'ai thought on this matter in a broader conceptual context. He presents it as one more application of the fundamental T'ien-t' ai idea of synergy—that there is a deeply symbiotic relationship between the way things really are (reality), the awareness of the way things really are (wisdom), and the religious practice that produces such an awareness (practice). Swanson bases his exposition on the Fa-hua hsüan-i, in which Buddha Nature, along with nine other Buddhist concepts, is interpreted through the threefold pattern already adverted to. Swanson shows how Chih-i, drawing upon both the Nirvāṇa Sūtra and the Lotus Sūtra, accommodates Buddha Nature terminology and concepts into the structure of his own thought. (Griffiths and Keenan, introduction to Buddha Nature, 6)
Swanson, Paul L. "T'ien-t'ai Chih'i's Concept of Threefold Buddha Nature—A Synergy of Reality, Wisdom, and Practice." In Buddha Nature: A Festschrift in Honor of Minoru Kiyota, edited by Paul J. Griffiths and John P. Keenan, 171–80. Tokyo: Buddhist Books International, 1997. https://nirc.nanzan-u.ac.jp/en/files/2012/11/Chih-i-on-Buddha-nature.pdf.
PhD Diss
Chen, S.: The Liberation of Matter: Examining Jingxi Zhanran’s Philosophy of the Buddha-Nature of Insentient Beings in Tiantai Buddhism
Abstract

This dissertation examines the notion that not only sentient beings but also insentient ones, e.g., flora, mountains, rivers, and manmade objects, have Buddha-nature. Employing an exegetical approach, I investigate Jingxi Zhanran’s (711-782) theory of the Buddha-nature of insentient beings. Emphasizing the all-pervasiveness of Buddha-nature and the nonduality of mind and material, he eliminates the absolute distinction between sentient and insentient beings and contends that Buddha-nature includes all beings. Additionally, insisting on the Tiantai notion of mutual inclusion, which reveals a two-way relationship between sentience and insentience, Zhanran reverses the positions of the subjective observer and the objective phenomenon, subjectifying insentient beings.
      In addition to examining the theoretical profundity of Zhanran’s theory, my study examines the issues of sentience versus insentience and Buddha-nature that took place before Zhanran and discusses the subsequent Tiantai concerns with the Buddha-nature of insentient beings. Through textual analysis, I reexamine the emergence of the Chinese thought that connects Buddha-nature to insentient things, initially presented by Jingying Huiyuan (523-592) and Jiaxiang Jizang (549-623). I also illustrate that the concept of the Buddha-nature of insentient beings is implied in Zhiyi’s (538-597) thought by interpreting Zhiyi’s teachings that inspired Zhanran’s advocacy. Furthermore, I analyze, on doctrinal grounds, Chinese Tiantai descendants’ endorsement of Zhanran’s theory, contrasting it with their Japanese counterparts’, the latter who found it difficult to conceptualize how insentient beings’ spiritual cultivation might occur.

      I ultimately argue that Zhanran, indeed, articulates the Buddhahood of insentient beings, and that the modality of their practice through the nonduality between passivity and activity, and between Buddhahood and “insentienthood” can be explained. By raising questions about the human relation to the insentient world and exploring possibilities for attaining harmony through transcending the duality between selfness and otherness, and subjectivity and objectivity, I hope to contribute to the reexamination of anthropocentric religious liberation.
Chen, Shuman. "The Liberation of Matter: Examining Jingxi Zhanran’s Philosophy of the Buddha-Nature of Insentient Beings in Tiantai Buddhism." PhD diss., Northwestern University, 2014.
PhD Diss
Grosnick, W.: The Zen Master Dōgen’s Understanding of the Buddha-Nature in Light of the Historical Development of the Buddha-Nature Concept in India, China, and Japan
. . . The present study will have a twofold purpose: 1) to examine the history of the Buddha-nature concept in an attempt to discover a central core of meaning inherent in the concept, and 2) to evaluate Dōgen's view of the Buddha-nature in the light of that central core of meaning. Parts I and II of this work, which examine the doctrinal history of the Buddha-nature concept in India and China, are devoted to the former task, and Part III, which examines Dōgen's thought concerning the Buddha-nature, is devoted to the latter. It is hoped that through the examination of Dōgen's conception of the Buddha-nature in the light of the previous articulation of the concept, it will be possible to form conclusions concerning the significance of Dōgen's thought in Buddhist doctrinal history. (Grosnick, introduction, 7–8)
Grosnick, William. "The Zen Master Dōgen’s Understanding of the Buddha-Nature in Light of the Historical Development of the Buddha-Nature Concept in India, China, and Japan." PhD diss., University of Wisconsin-Madison, 1979.

Mentioned in

Article
On the Ratnagotravibhāga
The Ratnagotravibhāga Mahāyānottaratantraśāstra is one of the main sources for buddha-nature theory in Indian and Tibetan Buddhism (in China, the Awakening of Faith was of much greater importance). This article summarizes what is known about the textual tradition, author, and date of its composition and translations.
Gardner, Alex. "On the Ratnagotravibhāga." Buddha-Nature: A Tsadra Foundation Initiative, September 12, 2018. https://buddhanature.tsadra.org/index.php/Articles/On_the_Ratnagotravibh%C4%81ga.
Article
Zhanran's Arguments in Support of His Buddha-Nature Theory, as Presented in His Diamond Scalpel Treatise
The Sinicised schools of Buddhism – such as Tiantai 天台 – are deeply rooted in the Indian Buddhist teachings, but at the same time, their masters reinterpreted the inherited teachings, and attributed new meanings to the translated texts, by shifting the emphasis, changing the point of views, etc. Through the process of interpreting and reinterpreting, some new theories emerged having diametrically different ideas from those of the original Buddhist teachings. All of them are original and intriguing examples of a Chinese way of thinking and worth of being subjects of a more detailed examination. When creating commentaries to the Indian sūtras and treatises, the Chinese masters elaborated their own theories. Rather than the word by word, sentence by sentence type of commentaries, these commentaries attempting to explain and expand the 'subtle' meaning of a parable, a symbol or certain characters, proved to be more adequate to the purpose of elaborating original, ingenious ideas, reaching far beyond the original textual meaning, and the presupposed intention of the author or translator.'"`UNIQ--ref-00001197-QINU`"' A typical example of such approach is the magnum opus of the de facto founder of the Tiantai school, Zhiyi 智顗 (538–597), The Subtle Meaning of the Lotus Sūtra (Miaofa lianhua jing xuanyi 妙法蓮華經玄義; T33: 1716), where the author presents the basic tenets of the Tiantai school, in the form of explaining the character 'miao' 妙 (meaning 'subtle' or 'wonderful'), the very first character of the most well-known Chinese translation of the Lotus Sūtra.'"`UNIQ--ref-00001198-QINU`"' In the eyes of the author (and his followers), this single character offers sufficient basis to expound his novel insights, in a way that, despite their novelty, are at the same time linked to the Buddhist tradition. A substantial part of the lengthy commentary is centered on the 'explanation' of the term 'subtle'. According to Zhiyi, this notion is the best expression of ultimate reality. 'For Chih-i the word 'subtle' symbolizes and summarizes that which is beyond conceptual understanding, and thus it is the word most appropriate to describe reality, which is ultimately indescribable."`UNIQ--ref-00001199-QINU`"'
      From this, we can draw the conclusions that for a Tang Dynasty (618–907) monk, trained on the teachings and traditions of a Sinitic school of Buddhism, the title of a Buddhist writing is highly important, for mainly two reasons: (1.) it can bear the very essence, the 'subtle' meaning of the whole work, and (2.) it can serve as an anchor, that bounds it to the 'original' Buddhist teachings, serving as a means of legitimatisation, at the same time. These two aims can be detected in Zhanran's'"`UNIQ--ref-0000119A-QINU`"' 湛然 (711−782) choice of the title for his Diamond Scalpel (Jin’gang bei 金剛錍; T46:1932) treatise. The Diamond Scalpel treatise, in one fascicle, written in his old age, is a relatively short work, compared to his lengthy commentaries, yet well deserves to be considered his most creative, genuine work. The main theme of the treatise is the Tiantai interpretation of the teaching of Buddha-nature, as inherently including insentient realm, as well as all sentient beings. While expounding the topic, and presenting his arguments, the main tenets of the Tiantai school emerge one after the another, offering the reader a complete picture of the self and the world, suffering and the ways to liberation, etc. – i.e. problems of utmost importance for a Buddhist practitioner –, as seen by a Tang Dynasty Buddhist monk. At a first reading, the title of the treatise does not seem to tell us a lot about its content, but taking a closer look, and applying a more careful, meticulous examination, we find that Zhanran's choice of title must have been the result of a thoughtful consideration, for it perfectly suites the above mentioned two criteria. Following Zhiyi’s legacy, Zhanran chooses a title, which 'symbolizes and summarizes' the main issues to be discussed in his treatise. More precisely, first of all, it hides an allusion to a simile from a mahāyāna sūtra (thought to render the words of the Buddha), and thus anchors, bounds the whole work to the 'original' teachings of the Buddha, and secondly, after decoding the symbols and references, and interpreting them in the light of Tiantai philosophy, we find that these three characters can truly be regarded the quintessence of the work, the very argument in support of the theory of Buddha-nature of the insentient. Zhanran, following the example of his great predecessor, Zhiyi, expounds and argues based on the most important texts and tenets of mahāyāna Buddhism, while interpreting, reinterpreting, and often furnishing these with new, ingenious meanings.
      First, we are going to examine the provenance and possible interpretations of the title – i.e. the context in which the basic notions appear, before Zhanran's time –, Zhanran's own explanation of the title, i.e. the very first paragraph of his work, and further interpretations of the title (and its explanation) found in later commentaries, written to the treatise, by Tang and Song Dynasty monks. Through this one, particular example we can get a glimpse into the complex process of how Chinese monks interpreted and reinterpreted the texts inherited from India, the way in which through focusing on, and/or consciously selecting certain motifs, similes or even terms, embellished these with new meanings, which were further used as tools to prove their own ideas and theories, as if these were identical with the original teachings of Buddha Śākyamuni. Secondly, we are going to examine the most important arguments Zhanran is using to prove his theory about the Buddha-nature of the insentient. I will argue that these arguments can be grouped around two key concepts, already concealed within the title. (Pap, "Zhanran’s Arguments in Support of his Buddha-Nature Theory," 129–130)
Pap, Melinda. "Zhanran's Arguments in Support of His Buddha-Nature Theory, as Presented in His Diamond Scalpel Treatise: Starting from an Analysis of the Title." Paper presented at the International Symposium of Tiantai Studies: From Tiantai to Hiei; Transborder and Transcultural Spread of Tiantai/Chontae/Tendai/ Buddhism and East Asian Societies, Peking University, Beijing, China, Dec. 6–8, 2019.


Other names

  • Śramaṇa Zhiyi (Ch. 沙門智顗) · other names
  • Chen De'an (陳德安) · other names
  • Master Tiantai(天台大師) · other names
  • Master Zhizhe(智者大師) · other names
  • Chih-i · other names
  • Chih'i · other names

Affiliations & relations

  • Tiantai · religious affiliation
  • Faxu (法緒) · teacher
  • Huikuang (慧曠) · teacher
  • Nanyue Huisi · teacher
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