Maitreya

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मैत्रेय
Maitreya
བྱམས་པ་
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Known in Tibetan as the "Lord of Love" or the "Noble Loving One" འཕགས་པ་བྱམས་པ། (Pakpa Jampa), the "Loving Protector" བྱམས་པའི་མགོན་པོ་ (Jampay Gonpo), in Chinese as 弥勒佛 (Mi Le Fo), Japanese as Miroku, and commonly as Maitreya throughout Asia and beyond. Maitreya is the bodhisattva called the "future Buddha" who resides in Tushita heaven until coming to the human realm to take the role of the next Buddha after Śākyamuni Buddha. According to tradition, Asaṅga received teachings from Maitreya and recorded them in the Five Dharma Treatises of Maitreya, which form the basis for buddha-nature teachings and the larger Yogācāra teachings in general.

Library Items

Book
A Feast of the Nectar of the Supreme Vehicle
A monumental work and Indian Buddhist classic, the Ornament of the Mahāyāna Sūtras (Mahāyānasūtrālamkāra) is a precious resource for students wishing to study in-depth the philosophy and path of Mahāyāna Buddhism. This full translation and commentary outlines the importance of Mahāyāna, the centrality of bodhicitta or the mind of awakening, the path of becoming a bodhisattva, and how one can save beings from suffering through skillful means.

This definitive composition of Mahāyāna teachings was imparted in the fourth century by Maitreya to the famous adept Asanga, one of the most prolific writers of Buddhist treatises in history. Asanga’s work, which is among the famous Five Treatises of Maitreya, has been studied, commented upon, and taught by Buddhists throughout Asia ever since it was composed.

In the early twentieth century, one of Tibet’s greatest scholars and saints, Jamgön Mipham, wrote A Feast of the Nectar of the Supreme Vehicle, which is a detailed explanation of every verse. This commentary has since been used as the primary blueprint for Tibetan Buddhists to illuminate the depth and brilliance of Maitreya’s pith teachings. The Padmakara Translation Group has provided yet another accessible and eloquent translation, ensuring that English-speaking students of Mahāyāna will be able to study this foundational Buddhist text for generations to come. (Source: Shambhala Publications)
Gethin, Stephen (Padmakara Translation Group), trans. A Feast of the Nectar of the Supreme Vehicle: An Explanation of the Ornament of the Mahāyāna Sūtras; Maitreya's Mahāyānasūtrālaṃkāra with a Commentary by Jamgön Mipham. Boulder, CO: Shambhala Publications, 2018.
Book
A Study on the Ratnagotravibhāga (Uttaratantra)
A classic translation and study of the Sanskrit and Tibetan versions of the Ratnagotravibhāga, with reference to the Chinese.
Takasaki, Jikidō. A Study on the Ratnagotravibhāga (Uttaratantra): Being a Treatise on the Tathāgatagarbha Theory of Mahāyāna Buddhism. Serie Orientale Roma XXXIII. Rome: Istituto Italiano per il Medio ed Estremo Oriente (IsMEO), 1966. https://archive.org/details/bdrc-W1KG1582/page/n1/mode/2up.
Book
Buddha Nature: The Mahayana Uttaratantra Shastra
All sentient beings, without exception, have buddha nature, the inherent purity and perfection of the mind, untouched by changing mental states. The Mahayana Uttaratantra Shastra, one of the "Five Treatises" said to have been dictated to Asanga by the Bodhisattva Maitreya, presents the Buddha's definitive teachings on how we should understand this ground of enlightenment and clarifies the nature and qualities of buddhahood. This seminal text details with great clarity the view which forms the basis for Vajrayana, and especially Mahamudra, practice. Thus it builds a bridge between the Sutrayana and the Vajrayana levels of the Buddha's teaching, elaborated here in Jamgön Kongtrül's commentary. (Source: Shambhala Publications)
Fuchs, Rosemarie, trans. Buddha Nature: The Mahayana Uttaratantra Shastra. By Arya Maitreya. Written down by Arya Asanga. With a commentary by Jamgön Kongtrül Lodrö Thayé ('jam mgon kong sprul blo gros mtha' yas) "The Unassailable Lion's Roar," and explanations by Khenpo Tsultrim Gyamsto Rinpoche. Ithaca, NY: Snow Lion Publications, 2000.
Book
Buddha-Nature: Mahayana-Uttaratantra-Shastra (Khyentse Commentary)
Arya Maitreya’s Mahayana-Uttaratantra-Shastra is one of the most important teachings on buddhanature and enlightenment. It is revered by buddhist masters as a very special text, one of the five great teachings given by Lord Maitreya to Asanga, and part of the third turning of the wheel of the Dharma. Within the traditional buddhist shedras for monastic education, it is often taught as the final text in the curriculum, and many masters say it can be considered a bridge between the sutras and tantra. It provides an important philosophical foundation for understanding the workings of the buddhist path, particularly for Vajrayana practitioners. We are particularly fortunate to have these teachings by Dzongsar Khyentse Rinpoche, rich with his usual clarity, warmth, humour and wisdom because, despite its beauty and profundity, this text is rarely taught in the West, and there are few translations.

Rinpoche gave these teachings on the Uttaratantra at the Centre d’Etudes de Chanteloube in Dordogne, France during the summers of 2003 and 2004, after completing a four-year teaching cycle on Chandrakirti’s Madhyamakavatara. He has often emphasised the value of a grounding in the Madhyamika or ‘Middle Way’ philosophy of emptiness, as without this foundation beginners can easily misunderstand Buddha’s teaching that all sentient beings have buddhanature. For example, many of us who have grown up in a Western cultural context can easily confuse buddhanature with ideas like God or a personal soul or essence. These teachings allow us to dispel these kinds of misunderstanding. And despite their very different presentations, both the Madhyamika and Uttaratantra are teachings on the buddhist view of emptiness. As Rinpoche says, “You could say that when Nagarjuna explains the Prajñaparamita, he concentrates more on its ‘empty’ aspect (“form is emptiness” in the Heart Sutra), whereas when Maitreya explains the same thing, he concentrates more on the ‘ness’ aspect (emptiness is form).” In showing us how emptiness and buddhanature are different ways of talking about the same thing, this text gives us the grounding we need to understand buddhanature.

In this way, the Uttaratantra gives us another way to understand the Four Seals that comprise the buddhist view, which Rinpoche teaches in his book “What Makes You Not a Buddhist.” It also offers a way to make sense of what modern physics has discovered about the magically “full” quality of “empty” space (e.g. vacuum particles and quantum optics). But like all buddhist philosophy, it is not intended simply to provoke an academic discussion that we leave behind as we return to our everyday lives. It is taught as a path for us to attain liberation. For practitioners, the Uttaratantra clearly explains what it means to accumulate merit and purify defilements, and it offers a safety net to protect our path from falling into all-too-common eternalist or nihilist extremes. It also tackles many of the basic questions that practitioners ask as they consider the nature of the path, questions like: What is the ultimate destination of this path? Who is this person travelling on the path? What are the defilements that are eliminated on the path? What is experience of enlightenment like? Rinpoche answers these questions and many others in this commentary on the Uttaratantra-Shastra. (Source: Siddhartha's Intent)
Khyentse, Dzongsar. Buddha-Nature: Mahayana-Uttaratantra-Shastra. By Arya Maitreya. With commentary by Dzongsar Jamyang Khyentse Rinpoche. Given at the Centre d'Études de Chanteloube, Dordogne, France. Edited by Alex Trisoglio. n.p.: Siddhartha's Intent, 2007. https://www.dropbox.com/sh/zerz908dsq48lm4/AACBgmKw93qB1PldbrEW8NwVa?dl=0&preview=UttaratantraDJKR+Siddhartha%27s+Intent.pdf
Book
Distinguishing Phenomena from Their Intrinsic Nature
The Buddhist masterpiece Distinguishing Phenomena from Their Intrinsic Nature, often referred to by its Sanskrit title, Dharmadharmatāvibhaṅga, is part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita. Outlining the difference between appearance and reality, this work shows that the path to awakening involves leaving behind the inaccurate and limiting beliefs we have about ourselves and the world around us and opening ourselves to the limitless potential of our true nature. By divesting the mind of confusion, the treatise explains, we see things as they actually are. This insight allows for the natural unfolding of compassion and wisdom. This volume includes commentaries by Khenpo Shenga and Ju Mipham, whose discussions illuminate the subtleties of the root text and provide valuable insight into the nature of reality and the process of awakening. (Source: Shambhala Publications)
Dharmachakra Translation Committee, trans. Distinguishing Phenomena from Their Intrinsic Nature: Maitreya's Dharmadharmatāvibhaṅga with Commentaries by Khenpo Shenga (mkhan po gzhan dga') and Ju Mipham ('ju mi pham). Boston: Snow Lion Publications, 2013.
Book
Le Traité de la continuité sublime du Grand Véhicule
Le Traité de la Continuité sublime du grand véhicule (connu en tibétain sous le nom de Gyu Lama) fut composé en Inde au début du Ve siècle de notre ère par Asanga, l’un des philosophes bouddhistes majeurs de l’Inde ancienne. Il compte parmi les textes les plus importants du Grand Véhicule. Cette continuité sublime est la trame infinie qui forme le tissu de toutes nos expériences. Elle est la toile de fond commune à tous les êtres, qui claque aux vents de l’esprit et bat à la mesure de l’illusion, où se dessinent au gré des actes et des pensées les histoires personnelles. Base des naissances et des morts, de toutes les destinées et de tous les accomplissements, elle est la dimension spirituelle de chacun, la nature de bouddha que rien n’altère, l’espace infiniment ouvert et clair de l’éveil omniprésent. (Source: Claire Lumière)
Agate, Marc, trans. Le Traité de la continuité sublime du Grand Véhicule (Mahāyāna-utttara-tantra-śāstra). By Asanga. Saint-Cannat, France: Éditions Claire Lumière, 2018.
Book
Mahāyāna-Sūtrālaṃkāra: Exposé de la doctrine du Grand Véhicule selon le système Yogācāra, Vol. 2
Si nous étions réduits au seul témoignage de l'original sanscrit, nous ignorerions encore le véritable auteur de l'ouvrage. Le colophon sanscrit se contente d'indiquer que le texte a été « énoné » (bhâṣita) « par le grand Bodhisattva Vyavadâta-samaya ». Ce colophon est reproduit par le traducteur chinois et le traducteur tibétain; il est donc certainement très ancien, s'il ne remonte pas même jusqu'à l'original. Je n'ai pas retrouvé ailleurs un Bodhisattva de ce nom ; il est impossible de dire si cette désignation s'applique à Maitreya, à Asaṅga, ou à tout autre personnage, soit fictif, soit réel.
      L'Indien Prabhâkara-mitra, auteur de la traduction chinoise (entre 630 et 633 J. C.), assigne le M. S. A. à Asaṅga, qu'il qualifie expressément de « Bodhisattva ». La préface de là traduction, due à Li Pe-yo (l'auteur du Pe-Tsin chou) répète et confirme cette attribution, sans faire allusion à une révélation surnaturelle. Mais, à cette époque même, Hiuan-tsang apprend dans les couvents de l'Inde à classer le M. S. A. parmi les textes sacrés révélés à Asaṅga par Maitreya. Jusque-là, au témoignage de Paramârtha et des traducteurs chinois du vc siècle, le Saptadaçabhûmi çâstra (ou Yogâcâryabhûmi çâstra) avait seul passé pour révélé.
      Un demi-siècle après Hiuan-tsang, Yi-tsing, qui n'est pas comme Hiuan-tsang un adepte de l'école Yogâcâra, continue à classer le M. S. A. parmi « les huit branches » (pa tchi) d'Asanga, où il fait entrer pêle-mêle et de son propre aveu plusieurs traités de Vasubandhu.
      Chez les Tibétains[1], le M. S. A. est unanimement rangé dans les « Cinq çâstras de Maitreya », et il en ouvre la série. Mais les vers seuls sont attribués à Maitreya ; la prose qui commente ces vers est tenue pour un ouvrage à part, sous le titre de Sûtrâlaṃkâra-bhâṣya, attribué à Vasubandhu. La traduction tibétaine est due à Çâkyasiṃha l'Indien, assisté du Lotsava grand réviseur Dpal brcogs et autres. Je n'ai pas d'informations sur ces personnages; mais, quelle que soit leur date, Prabhâkara mitra leur est certainement antérieur ; avant le milieu du VIIc siècle, le Tibet, à peine ouvert à la civilisation, n'avait ni traducteurs, ni traductions. Nous sommes donc fondés à considérer l'ouvrage entier, prose et vers, comme dû à un seul auteur, Asaṅga. Au reste, si le tibétain distingue dans l'ouvrage deux parties, texte et commentaire, avec deux auteurs différents, le Tche-yuen lou chinois (Catalogue comparé des Livres Bouddhiques compilé dans la période Tche-yuen 1264–1294) donne à l'ouvrage entier, en tant qu'oeuvre du Bodhisattva Asaṅga, le titre fan (c.-à-d. sanscrit) de : Sou-tan-lo A-leng-kia-lo ti-kia, transcription de Sûtrâlaṃkâraṭîkâ « Commentaire du Sûtrâlaṃkâra » (Tche-yuen lou, chap. IX, in°.); en fait, cette désignation de ṭîkâ ne peut s'appliquer pourtant qu'à la prose explicative qui accompagne les vers ou kârikâs.
      Le texte sanscrit est divisé en adhikâras ou « chapitres » régulièrement numérotés jusqu'au quinzième ; à partir de là les chapitres ne portent plus d'indication numérique jusqu'au chapitre final ; mais celui-ci est désigné comme le vingt et unième. Les sections marquées dans l'intervalle sont seulement au nombre de quatre ; il manque donc une unité pour parfaire le chiffre de 21. Il est probable que le dernier chapitre est à partager en deux sections, entre le vers 42 et le vers 43. Les dix-neuf derniers vers, avec leur refrain uniforme, constituent une unité bien nette comme hymne de conclusion.
      Le tibétain[1] reproduit exactement les divisions du manuscrit sanscrit. Le chinois[2] représente un autre partage de l'ensemble. Le texte y est divisé en treize grandes sections, découpées d'une manière assez irrégulière en vingt-quatre chapitres. (Lévi, "Le Mahâyâna Sûtrâlaṃkâra," 7–9)

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Notes

1. Outre Târanâtha, v. aussi Bouston traduit par Stcherbatzkoï, La littérature Yogâcâra d'après Bouston, Muséon, 1905, II. Il est assez surprenant de voir que les Tibétains comptent comme l'oeuvre personnelle d'Àsaṅga le (Saptadaça-)bhûmi çâstra, le seul ouvrage que la tradition ancienne assigne à Maitreya. En dehors de cet ouvrage (et, naturellement, des sections détachées qui en ont été traduites à part: Nanjio 1170, 1083,1086, 1096, 1097, 1098, 1200, 1235), le Canon chinois n'attribue à Maitreya que le Madhyânta-vibhaṅga(Nj. 1245, traduit par Hiuan-tsang), également compté comme une oeuvre de Maitreya par les Tibétains [Je laisse en dehors l'insignifiant opuscule : Sarvaçiksàsthitanâmârtha çâstra (Nj. 1315) traduit par Che-houentre 980 et 1000]. Le cas du Mahâyânasaṃparigraha çâstra offre un intérêt tout particulier. Le premier en date des trois traducteurs chinois, Buddhaçânta, en 531, présente l'ouvrage comme une « oeuvre d' A-seng-kia », dans le texte de l'édition de Corée ; mais les éditions proprement chinoises ont remplacé cette mention par « composition de Wou-tcho p'ou-sa [equals] Asaṅga bodhisattva ». La préface qui accompagne la traduction de Paramârtha, en 563, déclare que « le çâstra original (pen loun) a été composé par A-seng-kia, maître de la loi (fa che). » Hiuan-tsang, enfin, qui donne une traduction en 648, traduit fidèlement un colophon qui dit : « Moi, A-seng-kia, j'ai fini d'expliquer brièvement le Mahâyâna-saṃparigraha çâstra dans les sûtras du Grand Véhicule de l'Abhidharma », mais il présente le texte comme « la composition de Wou-tcho p'ou-sa [equals] Asanga bodhisattva ».
      Wassilieff (Notes sur Târanâtha, p. 315 sq.) a tort de dire que « les cinq textes de Maitreya manquent tous [sämmtlich] chez les Chinois ». J'ai déjà signalé la traduction chinoise du M. S. A. et celle du Madhyânta-vibhâga. La version chinoise de l'Uttaratantra a échappé jusqu'ici aux recherches, parce qu'elle ne porte pas de nom d'auteur. C'est le Mahâyânottaratantraçâstra (Nj. 1236; éd. Tôk. XIX, 2) des catalogues chinois, traduit par Ratnamati en 508. Restent le Dharmadharmalâ-vibhaṅga et l'Abhisamayâlaṃkâra qui n'ont pas de correspondant connu ou reconnu en chinois. A propos des oeuvres d'Asaṅga conservées en chinois, j'ajoute encore que le Choun tchong louen (Nj. 1246; Tôk. XIX, 2), dont le titre sanscrit est restitué par Nanjio sous la forme : Madhyântânugama çâstra, est en fait — comme le titre chinois l'exprime exactement — un commentaire sur le Madhyamakaçâstra de Nâgârjuna, interprété au point de vue de la doctrine Yogâcâra.
1. La traduction tibétaine se trouve dans le Tanjour, Mdo. vol. XLIV (phi), le texte en vers va de 1 à 43b; le « bhâṣya » termine le volume, de la page 135 à la fin.

2. La traduction chinoise porte le n° 1190 dans le Catalogue de Nanjio; dans l'édition du Tripiṭaka de Tôkyô, elle trouve boîte XIX, vol. 4: Elle se forme la première moitié du volume ; le Sûtrâlaṃkâra d'Açvaghoṣa forme l'autre moitié.
Lévi, Sylvain, ed. and trans. Mahāyāna-Sūtrālaṃkāra: Exposé de la doctrine du Grande Véhicule selon le système Yogācāra. By Asaṅga. Vol. 2, Traduction, Introduction, Index. Bibliothèque de l'Ecole des hautes études 190. Paris: Librairie Honoré Champion, 1911.
Book
Mahāyāna-Sūtrālaṃkāra: Exposé de la doctrine du Grande Véhicule selon le système Yogācāra, Vol. 1
C'est par l'effet d'une confusion de titre que j'ai mis la main sur ce texte. Un peu avant de partir pour l'Inde, J'avais eu l'occasion d'étudier et de signaler à l'attention des indianistes un recueil important de contes bouddhiques, le Sūtralaṃkāra, d'Açvaghoṣa, conservé dans une traduction chinoise. Dès mon arrivée au Nepal, en janvier 1898. je me mis en quête de l'original sanscrit. Hodgson, dans sa Liste des Ouvrages Bouddhiques en sanscrit connus de fait ou de nom au Népal (Sketch of Buddhism, publié en 1828: réim- primé dans les Essays on the Languages, Literature, and Religion of Nepal and Tibet, 1874; p. 37), mentionne (n 29) le Mahāyāna Sūtrālaṃkāra: l'espoir de le retrouver n'était donc pas complétement interdit. Bientôt, en effet, Pandit Kulamāna, de Patan, qui s'était intéresé a mes recherches, m'annonçait qu'un de ses amis possédait un manuscrit de l'ouvrage: il refusait toutefois de s'en dessaisir. Je finis par en obtenir la communication ; il ne s'agissait pas du Sūtralaṃkāra d'Açvaghoṣa, mais bien du Mahāyāna Sūtrālaṃkāra d'Asaṅga. Au lieu d'un recueil de contes édifiants, c'était un exposé scolastique des doctrines mahāyānistes sur le Bodhisattva, au point de vue de l'école des Yogācāras. Il n'entre pas dans mon propos de marquer ici l'intérêt de ce texte, ni de signaler les problèmes qu'il pose ou qu'il résout. Je compte traiter en détail ces questions dans l'Intruduction à la traduction que je publierai prochainement ; c'est dans le même fascicule que je donnerai aussi l'index des termes techniques dont l'ouvrage foisonne, et les éclaircissements que je pourrai en fournir. lci je ne me suis préoccupé que d'établir le texte.
      La besogne, à dire vrai, n'était pa si facile. Je ne disposais que de la copie exécutée, sous ma surveillance, par le Pandit Kulamāna, reproduction fidèle d'un original assez bon dans l'ensemble, mais parsemé de menues fautes dues principalement a la confusion de lettres analogues dans la devanāgari du Népal. Cette copie, sur papier népalais (gris au recto, jaune au verso), occupe 123 feuillets, à neuf lignes par page. L'ouvrage est complet: la seule lacune étendue se place à la suite du vers 2 de la llesection: deux feuillets avaient à cet endroit disparu de l'archétype; pour dissimuler la lacune, le copiste ancien a recouru à un procédé assez usuel ; il a copié ailleurs deux autres feuilles qu'il a insérées à la place des feuillets manquants. Je n'ai pas pu arriver à déterminer la provenance exacte de cette interpolation; mais elle vient sans aucun doute de quelque çāstra étroitement apparenté au Mahāyāna Sūtrālaṃkāra par le sujet et par le lexique. J'ai donné en Appendice à la suite du texte le contenu de ces deux feuilles: un chercheur plus heureux réussira probablement à les identifier. Les autres lacunes sont de peu d'étendue : XI, 5, une ligne; 51, deus lignes; XI, 70, deux ou trois lignes; XII, 7, un hémistiche.
      La traduction chinoise, due à I'Hindou Prabhākara mitra (entre 630 et 633 J.-C.), comble heureusement toutes ces lacunes; sans elle, j'aurais dû renoncer même à éditer ce texte. C'est par une collation constante de la version chinoise que j'ai réussi—si j'y ai réussi— à dégager de mon unique manuscrit un texte acceptable et intelligible. Je n'ai pas cru devoir, sous couleur d'une « acribie ». intransigeante, étaler au bas des pages toutes les lectures vicieuses du manuscrit; Je ne les ai rapportées que dans les rares cas où ma correction affectait l'ensemble d'un mot. Je laisse à ceux qui voudront bien se référer à la copie de Kulamāna le soin de juger ce qu'a pu coûter d'efforts la constitution d'un texte présentable.
      C'est de propos délibéré que je me suis refusé a faire disparaître les irrégularités d'orthographe et de sandhi de mon manuscrit. La tradition des scribes népalais a ses usages constants, par exemple la réduction du groupe ttva à ttva (bodhisatva, tatva, etc.), l'interchange des sifflantes palatale et dentale (kuçīda, kusīda, etc.); pour les textes qu'ils sont seuls à nous avoir conservés, il me paraît préférable de se conformer à leurs usages plutôt que de leur imposer les rigueurs d'un purisme théorique. le sancrit a bien assez d'uniformité pour qu'on n'aille pas effacer de parti pris les rares particularités de temps ou de lieu qui ont pu y marquer leur empreinte. Quant au sandhi, I'application mécanique des règles risque le plus souvent d'anéantir des nuances de ponctuation et de pensée exprimées justement par des infractions à ces règles.
      Si j'ai préféré donner le texte en caractères devanāgarī, malgré les avantages pratiques de la transcription au point de vue occidental, c'est que nos éditions d'ouvrages bouddhiques ont chance d'atteindre une catégorie de lecteurs que nous me prévoyons pas assez peut-être tt qui mérite pourtant d'être prise en considération. Au Népal même, et par delà le Népal, dans le monde si peu accessible encore des Lamas, nous pouvons apporter ainsi à de bonnes âmes un aliment de piété qui se convertira peut-être en amorce de science: l'exemple donné par les éditeurs européens peut provoquer là-bas une imitation féconde, sauver de la destruction ou rappeler au jour des textes menacés, et activer ainsi le progrès des connaissances. L'indianisme n'est point un vain exercice de dilettantisme: derrière nos problèmes de linguistique, de philologie, d'histoire politique, religieuse ou sociale, il faut entrevoir les centaines millions d'êtres vivants que ces problèmes conditionnent à leur insu, et dont le sort est lié aux solutions qui doivent triompher.
      Je manquerais à un réel devoir de gratitude si je n'exprimais pas ici mes remerciements à tous ceux qui ont collaboré à l'impression de ce livre, aux typographes de l'Imprimerie nationale, au Directeur des travaux, M. Héon, et surtout à M. Guérinot, de qui les corrections minutieuses m'ont valu des épreuves presque parfaites. Mon ami et collègue M. Finot a pris la peine de relire aussi toutes les épreuves. S'il reste encore des fautes, et je sais pertinemment qu'il en reste (un erratum sera donné à la fin de la traduction), responsabilité n'en saurait incomber qu'à moi, et à la faiblesse de la nature humaine. (Lévi, foreword, i-iii)
Lévi, Sylvain, ed. and trans. Mahāyāna-Sūtrālaṃkāra: Exposé de la doctrine du Grande Véhicule selon le système Yogācāra. By Asaṅga. Vol. 1, Texte. Bibliothèque de l'Ecole des hautes études 159. Paris: Librairie Honoré Champion, 1907.
Book
Maitreya on Buddha Nature: A New Translation of Asaṅga's Mahāyāna Uttara Tantra Śāstra
During the last years of his life, Buddha Sakyamuni revealed the deepest of his teachings, in what we now call the Third Turning of the Wheel of Dharma. These show the heart nature of every one and every thing to be the sublime perfection of enlightenment. This unrecognized inner essence is known as buddha nature. To discover it completely is to become a Buddha, with all a Buddha's qualities and power to help others. But what, really and truly, is a Buddha? What lies at the heart of the Buddha's teachings, the dharma? What is it that illuminates the Buddhist saints of the sangha? These and many other questions are answered in precise and beautiful poetry by Asanga, in his great classic, the Mahayana Uttara Tantra, which has become one of the most important doctrinal texts of Tibetan Buddhism.

This new and refreshingly accessible translation is accompanied by a commentary based on the explanations of the most learned contemporary masters of the Kagy Tradition. It provides an introduction for those new to buddha nature as well as a major and essential reference work, to which one can return again and again for inspiration and guidance.

(Source: back cover)
Holmes, Ken, and Katia Holmes, trans. Maitreya on Buddha Nature: A New Translation of Asaṅga’s Mahāyāna Uttara Tantra Śāstra. Forres, Scotland: Altea, 1999.
Book
Maitreya's Distinguishing Phenomena and Pure Being
Distinguishing Phenomena and Pure Being was composed by Maitreya during the golden age of Indian Buddhism. Mipham's commentary supports Maitreya's text in a detailed analysis of how ordinary, confused consciousness can be transformed into wisdom. Easy-to-follow instructions guide the reader through the profound meditation that gradually brings about this transformation. This important and comprehensive work belongs on the bookshelf of any serious Buddhist practitioner—and indeed of anyone interested in realizing their full potential as a human being. Ju Mipham Rinpoche (1846–1912) was a great master of the Nyingma lineage of Tibetan Buddhism and one of the leading figures in the Rime nonsectarian movement in Tibet. This text, along with Ju Mipham Rinpoche's commentary, is taught extensively throughout the world by Khenpo Tsultrim Gyamtso Rinpoche, who considers this text to be of pivotal importance. Jim Scott, a longtime student of Khenpo Tsultrim Gyamtso Rinpoche, translated this work at his request and under his guidance. (Source: Shambhala Publications)
Scott, Jim, trans. Maitreya's Distinguishing Phenomena and Pure Being. With commentary by Mipham. Ithaca, NY: Snow Lion Publications, 2004.
Book
Maitreya's Distinguishing the Middle from the Extremes
Maitreyanātha's Distinguishing the Middle from the Extremes (Madhyāntavibhāga) was transmitted to us by the noble Asaṅga, great saint and champion scholar of fourth century CE Indic Buddhism—along with Vasubandhu’s commentary on the text. It is one of the five seminal texts of what the Tibetans call the “magnificent deeds tradition of universal vehicle Buddhism, according to its spiritual focus and ethical impact. Its emphasis on the nondual, primarily mental nature of reality most powerfully supports the great messianic vow of the bodhisattva, the entry into the universal vehicle lifestyle. In his study introducing the translation, Dr. D'Amato analyzes and elucidates the teachings of this text and its associated school with great learning and insight. (Source: Tibet House)
D'Amato, Mario, trans. Maitreya's Distinguishing the Middle from the Extremes (Madhyāntavibhāga): Along with Vasubandhu's Commentary (Madhyāntavibhāga-bhāṣya); A Study and Annotated Translation. Treasury of the Buddhist Sciences. Tengyur Translation Initiative. New York: American Institute of Buddhist Studies, Columbia University's Center for Buddhist Studies and Tibet House US, 2012.
Book
Middle Beyond Extremes
Middle Beyond Extremes contains a translation of the Buddhist masterpiece Distinguishing the Middle from Extremes. This famed text, often referred to by its Sanskrit title, Madhyāntavibhāga, is part of a collection known as the Five Maitreya Teachings. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita.

In pithy verses, Distinguishing the Middle from Extremes employs the principle of the three natures to explain the way things seem to be as well as the way they actually are. Unraveling the subtle processes that condition our thinking and experience, Maitreya’s teaching reveals a powerful path of compassionate vision and spiritual transformation.

Distinguishing the Middle from Extremes is presented here alongside commentaries by two outstanding masters of Tibet’s nonsectarian Rimé movement, Khenpo Shenga and Ju Mipham. (Source: Shambhala Publications)
Dharmachakra Translation Committee, trans. Middle Beyond Extremes: Maitreya's Madhyāntavibhāga with Commentaries by Khenpo Shenga (gzhan phan chos kyi snang ba) and Ju Mipham ('ju mi pham rgya mtsho). Ithaca, NY: Snow Lion Publications, 2006.
Book
Ornament of the Great Vehicle Sūtras
The Buddhist masterpiece Ornament of the Great Vehicle Sūtras, often referred to by its Sanskrit title, Mahāyānasūtrālaṃkāra, is part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita.

The Ornament provides a comprehensive description of the bodhisattva’s view, meditation, and enlightened activities. Bodhisattvas are beings who, out of vast love for all sentient beings, have dedicated themselves to the task of becoming fully awakened buddhas, capable of helping all beings in innumerable and vast ways to become enlightened themselves. To fully awaken requires practicing great generosity, patience, energy, discipline, concentration, and wisdom, and Maitreya’s text explains what these enlightened qualities are and how to develop them.

This volume includes commentaries by Khenpo Shenga and Ju Mipham, whose discussions illuminate the subtleties of the root text and provide valuable insight into how to practice the way of the bodhisattva. Drawing on the Indian masters Vasubandhu and, in particular, Sthiramati, Mipham explains the Ornament with eloquence and brilliant clarity. This commentary is among his most treasured works. (Source: Shambhala Publications)
Dharmachakra Translation Committee, trans. Ornament of the Great Vehicle Sūtras: Maitreya’s Mahāyānasūtrālaṃkāra with Commentaries by Khenpo Shenga (mkhan po gzhan dga') and Ju Mipham ('ju mi pham). Boston: Snow Lion Publications, 2014.
Book
The Changeless Nature
Lord Buddha taught the dharma in three main phases of teaching called the three dharmachakras or the three 'turnings of the wheel of dharma'. The first dharmachakra expounded the 'Four Truths of the Realised', the 'Eightfold Path of the Realised' and other fundamental principles, thereby making clear what suffering is, what causes such suffering, what really constitutes a definitive end (cessation) to suffering and what the means are for achieving this definitive end. The teachings given in this first phase are the easiest to understand.

      The second dharmachakra, also referred to as the 'middle turning' or the 'dharmachakra of no-characteristics', demonstrated the illusory nature of everything and placed the teachings of the first dharmachakra in a much less concrete perspective; suffering was no longer something to be doted with existential reality and the fundamental statements of voidness (śūnyatā) - 'form not existing', 'sound not existing' etc. - were postulated to show the void nature of everything. In the third dharmachakra the 'true nature' of everything was explained - not just voidness, in the sense of complete absence or negation, but a void nature, resplendent with all qualities, naturally present, which is the essence of all beings; their buddha-nature. Since this is the very nature of all beings then by working on it anyone of them can reveal the enlightened wisdom that is inherent to that nature.
      The subject matter of these three dharmachakras was commented upon and cross-referenced in the many treatises (śāstra) composed by buddhist scholars after the Buddha's parinirvāṇa. Maitreya composed five encyclopaedic śāstra of which this Mahāyāna Uttara Tantra Śāstra is one. Its teachings are those of the third dharmachakra. Many commentaries have been written for Maitreya's text, transmitted into

this world by Aćarya Asaṅga. and the one chosen for this translation's standpoint is that of Jamgön Kongtrül the Great, whose commentary is in two main parts: an introduction to Maitreya's work and a commentary on the actual text of the original. (Kenneth and Katia Holmes, translator's introduction, 3–4)
Holmes, Ken, and Katia Holmes, trans. The Changeless Nature: The Mahāyānottaratantraśāstra. 2nd ed. By Arya Maitreya and Acarya Asanga. Eskdalemuir, Dumfriesshire, Scotland: Karma Kagyu Trust, 1985. https://archive.org/details/mahayanottaratantrasastrathechangelessnaturebykenandkatiaholmes_202003_994_R/page/n1/mode/2up.
Book
The Sublime Continuum and Its Explanatory Commentary
The original Sublime Continuum Explanatory Commentary was written by Noble Asaṅga to explain the verses by the bodhisattva Maitreyanātha around the 4th CE century in North India. Here it is introduced and presented in an original translation from Sanskrit and Tibetan, with the translation of an extensive Tibetan Supercommentary by Gyaltsap Darma Rinchen (1364–1432 CE), whose work is considered to follow the view of his teacher, Tsong Khapa (1357–1419 CE).


Contemporary scholars have widely mis-understood the Buddhist Centrist teaching of emptiness, or selflessness, as either a form of nihilism or a radical skepticism. Yet Buddhist philosophers from Nāgārjuna on have shown that the negation of intrinsic reality affirms the supreme value of relative realities if accurately understood. Gyaltsap Darma Rinchen, in his Supercommentary, elucidates a highly positive theory of the “buddha-nature,” showing how the wisdom of emptiness empowers the compassionate life of the enlightened, as it is touched by its oneness with the truth body of all buddhas. With his clear study of Gyaltsap’s insight and his original English translation, Bo Jiang, Ph.D. completes his historic project of studying and presenting these works from Sanskrit and Tibetan both in Chinese and, now, English translations, in linked publications.

Marty Bo Jiang is a research fellow at the American Institute of Buddhist Studies at the Columbia University Center for Buddhist Studies. (Source: AIBS)
Jiang, Bo, trans. The Sublime Continuum and Its Explanatory Commentary. By Maitreyanātha and Noble Asaṅga. With The Sublime Continuum Supercommentary by Gyaltsap Darma Rinchen. Treasury of the Buddhist Sciences. New York: American Institute of Buddhist Studies, Columbia University Center for Buddhist Studies, and Tibet House US, 2017.
Article
The Sublime Science of the Great Vehicle to Salvation, Being a Manual of Buddhist Monism: The Work of Ārya Maitreya with a Commentary by Āryāsanga
According to the Tibetan tradition, the foundation of all the

exegetical literature connected with the Buddhist Scripture of the latest and, partly, of the intermediate period is contained in the 5 treatises ascribed to the Bodhisattva Maitreya. These are:—

1) The Sūtrālaṁkāra,
2) " Madhyānta-vibhanga,
3) " Dharma-dharmatā-vibhanga
4) " Abhisamayālaṁkāra, and
5) " Uttaratantra

Of these 5 treatises the original Sanskrit text of the Sutrālaṁkāra has been edited by Prof. Sylvain Levi, who has likewise given a French translation of it. The Sanskrit text of the Abhisamayālaṁkāra and its Tibetan translation have been recently edited by Prof. Th. Stcherbatsky and by myself in the Bibliotheca Buddhica and will be followed by an analysis of the 8 subjects and the 70 topics which form its contents. The 3 other works have not, till now, met with the full appreciation of European scholars. The reason perhaps is that we possess only their Tibetan translations in the Tangyur (MDO XLIV), the original Sanskrit texts having not, up to this time, been discovered. An investigation of this branch of Buddhist literature according to the Tibetan sources enables us to ascertain the exclusive importance of the said 3 treatises as containing, in a very pregnant form, the idealistic and monistic teachings of later Buddhism. In particular the Tibetan works draw our attention to the Uttaratantra, the translation and analysis of which forms the subject-matter of the present work. It is indeed the most interesting of the three, if not of all the five, being the exposition of the most developed monistic and pantheistic teachings of the later Buddhists and of the special theory of the Essence of Buddhahood, the fundamental element of the

Absolute, as existing in all living beings. (Obermiller, introduction, 81–82)
Obermiller, Eugène, trans. "The Sublime Science of the Great Vehicle to Salvation, Being a Manual of Buddhist Monism: The Work of Ārya Maitreya with a Commentary by Āryāsanga." Acta Orientalia 9 (1931): 81–306.
Article
The Tathagata Essence
According to Don Handrick, this is a "rather wordy" translation of the first chapter of the Uttaratantraśāstra, made so due to the heavy use of parenthetical information derived from various commentaries on the text that the translators use to explicate the root verses. The work is a draft compilation and is not for general distribution. Permission has been granted for use in FPMT (Foundation for the Preservation of the Mahayana Tradition) Basic Programs.
Hopkins, Jeffrey, and Joe B. Wilson, trans. "The Tathagata Essence." Chapter 1 of the Great Vehicle Treatise on the Sublime Continuum Differentiating the Lineage of the Three Jewels (mahayanottaratantra-ratnagotravibhanga). 2nd ed. By Maitreya. With amplification by Mipam Gyatso (mi pham rgya mtsho, 1846–1912). Unpublished manuscript, January 2007. Pdf file.
Book
The Universal Vehicle Discourse Literature
The Universal Vehicle Discourse Literature (Mahāyānasūtrālaṃkāra) was transmitted from the bodhisattva Maitreyanātha to Āryā Āsaṅga, the fourth-century Indian Buddhist scholar-adept. The most foundational of the set of the famous Five Teachings of Maitreya, the Discourse Literature is considered the wellspring of what the Tibetans call the "magnificent deeds trend of the path," the compassion side, which balances the "profound view trend of the path," the wisdom side. The Discourse Literature is also considered to be metaphysically aligned with and foundational for the Idealist (Vijñānavādin) school of Mahāyāna thought. Translated from Sanskrit, Tibetan, and Chinese by Lobsang Jamspal, Robert Thurman, and the AIBS team, the present work contains a fully annotated, critical English rendition of the Discourse Literature along with its commentary (bhāṣya) by Āsaṅga’s brother, Vasubandhu. It also includes an introduction covering essential historical and philosophical topics, a bibliography, and a detailed index. This long-awaited work is the founding cornerstone of the AIBS Treasury of the Buddhist Sciences series. (Source: AIBS)
Jamspal, L., R. Clark, J. Wilson, L. Zwilling, M. Sweet, and R. Thurman, trans. The Universal Vehicle Discourse Literature (Mahāyānasūtrālaṅkāra). By Maitreyanātha/Āryāsaṅga. Together with its Commentary (Bhāṣya) by Vasubandhu. New York: American Institute of Buddhist Studies, Columbia University's Center for Buddhist Studies, and Tibet House US, 2004. https://archive.org/details/mahayanasutralamkarabyaryansanghatheuniversalvehiclediscourseliteraturebhashyaof_902_Y/mode/2up.
Book
The Uttaratantra of Maitreya
This book is in four parts. The first part consists of Introduction by H.S. Prasad. He argues for sempiternal, dynamic and substantive reality underlying all appearances. He shows that as one rises to a higher level of consciousness, the various yānas, like śrāvakayāna, pratyekabuddhayāna, bodhisattvayāna and mahāyāna, all merge into ekayāna; for each contributes to the gradual realisation of the oneness of ultimate reality, thus paving the way for the emergence of universal culture. On Prasad's view the much talked-about negativism of the Mādhyamika—sarvadṛṣṭiśūnyatā—is not an end in itself, rather it is a basis for the realisation of the essential unity of all beings, sentient as well as insentient, leading to the cultivation and promotion of universal good, compassion and friendliness.

      In the second part is reprinted the Sanskrit text of Maitreya's Uttaratantra (Ratnagotravibhāga). The third part includes corrections and emendations suggested by Jikido Takasaki in the Sanskrit text in the light of Tibetan and Chinese versions. The fourth part is an English translation of the text from its Tibetan version by E. Obermiller.
      This book is a radical departure from the traditional interpretations of Buddhism and the Mādhyamika philosophy in particular. It aims at reviving

philosophy as cultural activity, a path to enlightenment and spiritual discipline. (Source: Exotic India)
Prasad, H. S., ed. The Uttaratantra of Maitreya: Containing Introduction, E. H. Johnston's Sanskrit Text and E. Obermiller's English Translation. Bibliotheca Indo-Buddhica 79. Delhi: Sri Satguru Publications, 1991.
Book
Traité de la Continuité suprême du Grand Véhicule
This new translation of the famed Gyü Lama, or Ratnagotravibhāga Mahāyānottaratantraśāstra, represents a major step forward in providing access to key Buddhist literature for Francophones. The book includes a translation of the whole text with commentary by the nineteenth-century Tibetan master Jamgön Kongtrul and has a full bibliography, notes, glossaries, and appendixes covering the key Buddhist source texts and an outline of the Tibetan commentary, as well as specialized indexes.
Charrier, Christian, and Patrick Carré, trans. Traité de la Continuité suprême du Grand Véhicule (Mahāyānottaratantraśāstra). By Maitreya. Avec le commentaire de Jamgön Kongtrul Lodreu Thayé ('jam mgon kong sprul blo gros mtha' yas) L'Incontestable Rugissement du lion. Tsadra Foundation Series. Plazac, France: Éditions Padmakara, 2019.
Book
Traité de la Continuité ultime du Grand Véhicule (Loyon)
This is a French translation of the Gyü Lama by Etienne Loyon, a student of Khenpo Tsultrim Gyamtso Rinpoche. It includes the commentary to the text by Jamgon Kongtrul, The Unassailable Lion's Roar. According to the site which hosts this translation, the translation includes excerpts of commentary by Khenpo Tsultrim Rinpoche himself. The following are the "Notes du traducteur" with respect to this text in full:

Cette traduction de l’Insurpassable Continuité est le fait d’un disciple-traducteur de Khenpo Tsultrim Gyamtso Rimpoché. A ce titre elle ne prétend pas à l’orientalisme, à l’érudition du pur spécialiste, même si la fréquentation des textes tibétains depuis 20 ans, au hasard des stages avec Rimpoché a sans doute laissé quelques traces. Mais dans la mesure où Rimpoché a bien voulu en son temps en désigner le traducteur pour animer des groupes de réflexion autour de ce texte, celui-ci en tire un peu d’assurance pour présenter son travail.

S’il y a bien quelque chose que celui-ci a compris aussi -qu’il aurait dû comprendre en tous cas - grâce au Dharma, c’est que l’on est rien sans les autres, et cela est valable pour ce travail qui sans les apports de Katia et Ken Holmes, de Rosie Fuchs, de François Chenique, et d’autres contributeurs plus épisodiques (Jim et Birgit Scott, Ari Goldfield…) n’aurait jamais vu le jour.

Pour reprendre la formule classique, s'il subsiste des fautes, et elles ne manqueront pas, celles-ci sont donc bien miennes. On pourrait dire aussi, à la suite d’Auguste Comte je crois, qu’il n’y a pas de vérité première, seulement une erreur ultime. Tandis que de mon côté, je me sens soulagé en pensant qu’un site web permet de revenir à l’ouvrage, le lecteur trouvera là de son côté un travail qu’il aura toute latitude, et l’envie, je l’espère, d’améliorer.

Ceci dit, celui-ci vise un public ouvert, personnes raisonnablement cultivées mais ordinaires, qui, faute de pouvoir passer autant de temps que cela le nécessite à étudier la philosophie indo-tibétaine, ont besoin d’un accès direct et plaisant si possible à ce texte essentiel de la tradition kagyupa. En conséquence un certain nombre de choix ont été fait à partir de cette volonté d’accessibilité en terme de présentation, de style et de cheminement des idées.

Jamgœun Kongtrul Lodreu Thayé utilise souvent la particule ”etc.“ (particule, on peut s’en douter, pratique quand tous les textes étaient gravés à la main) : nous avons rétabli dans la mesure du possible la liste des mots concernés. Par exemple, si le texte tibétain dit : "Le désir, etc.,", nous avons pris sur nous de compléter : "Le désir, [la haine, l’ignorance]".

Traduire en donnant, sinon tous son sens, du moins du sens au texte racine, pour ceux qui ne voudraient lire que lui, sans l"éventer" l’apport du commentaire n’est pas la moindre difficulté. Toujours dans une recherche d’équilibre, nous avons quelquefois inséré un détail fourni dans le commentaire. Par exemple, la stance 118 traduite textuellement dit : "[..] en les êtres ordinaires sont enterrés sous les tréfonds de la tendance habituelle à l’ignorance…". "êtres ordinaires" est trompeur dans la mesure où il est question, suivant l’enseignement de KTGR (Khenpo Tsultrim Gyamtso Rimpoché), des Vainqueurs de l’ennemi (arhat), précision que nous avons donc ajoutée au texte racine. On ne saurait au passage trop rappeler la nécessité, et l’intérêt, d’aborder les textes sous la tutelle d’un lama formé, qui en donnera une explication enracinée dans une tradition précise, le style "télégraphique" du tibétain se prêtant autrement à toutes les interprétations imaginables.

De plus en plus de pratiquants ayant des notions de tibétain, nous avons inséré à l’occasion entre parenthèses certaines translittérations en wylie. autant pour renseigner, il est vrai, le lecteur que pour faire comprendre nos choix de traducteurs, question sur laquelle nous reviendrons occasionnellement.

Dans le chapitre des neuf exemples de l’élément en particulier, le lecteur pourra s’agacer des répétitions quasi au mot près d’une stance à l’autre. L’étude textuelle et historique démontre que le texte racine est constitué d’un certain nombre de stances très anciennes autour desquelles des écrivains non identifiés ont greffé au fil des siècles d’autres vers visant à commenter d’une manière analytique ces premiers écrits. On en trouvera la liste à la fin du LMDFB. Ce que l’on veut dire ici c’est que le commentaire dans cette tradition littéraire n’était pas ennemi de la simple répétition, dans la mesure où il n’y avait rien de plus à comprendre (?). Les stances primitives sont assez significatives en elles-mêmes pour qu’on en repère la plupart même sans cette information philologique.

La traduction est toujours un délicat équilibre, comme le remarque si bien Elizabeth Callahan, entre le mot à mot et le sens, peut-être plus encore dans ce genre de śāstra qui croise logique et poétique bucolique. D’un côté nous avons le texte racine, qui est indéniablement un poème, ce que nous avons restitué avec une versification simple.

Même si celle-ci est très basique, l’extrême concision que demande une poésie, à travers en particulier l’usage de l’ellipse, rejoint quelquefois d’une manière saisissante l’expression tibétaine. Par exemple, on trouvera "le corps de réalité, mûrissement..". La prose française oblige tôt ou tard à faire savoir si le corps de réalité, dans cet exemple, est le fruit du mûrissement ou l’agent du mûrissement, problème qui n’apparaît pas en tibétain, et que selon notre expérience, la concision poétique permet d’éviter. Nous rejoignons S.Arguillère quand il revendique, dans un de ses travaux mis à disposition on line  : "L’expression française que j’ai choisie me paraît […] suffisamment littérale pour n’ajouter à l’indétermination de la formule tibétaine nulle précision arbitraire." Par ailleurs, cette versification vise à permettre une lecture scandée, voir chantée, du texte suivant en cela la plaisante méthode transmise à nous par Rimpoché, pour faciliter mémorisation et pratique.

L’approche du commentaire de JKLT est, quant à elle, celle de la scolastique avec un recours aux outils de la logique. (Il est d’autant plus émouvant de constater que JKLT ne peut s’empêcher d’y déroger lorsqu’il s’agit de combattre l’obscurantisme et l’intolérance, circonstances où sa langue devient plus émotionnelle). Il a fallu là aussi procéder à un certain nombre de choix. JKLT appose, pour commenter un mot, son synonyme. Prenons l’exemple d’une phrase qui dirait : "Le chat noir est sur la table". JKLT commenterait, suivant en cela une technique très répandue chez les lettrés tibétains : "Le chat, félin, animal, noir, de couleur sombre, est sur un meuble, la table", alors que le bon usage du français semble requérir un minimum d’enrobage stylistique tel que : "le chat, ce noir félin repose sur un des meubles, la table". Nous avons donc enrobé. Il utilise aussi beaucoup la formule : “Soit le chat noir, il est sur la table. La table est un meuble, donc le chat noir est sur un meuble". Le mot phyir, "parce que", intervient 500 fois dans le texte. Nous avons donc là aussi un peu changé la syntaxe. (Au passage,je remercie ma chatte, source d’inspiration illimitée de ce genre de constats).

Si le texte racine a droit à un certain hermétisme, hermétisme, je crois, qui a permis aux différentes traditions tibétaines de faire leur ce texte de manière variée, le commentaire doit être clair.

S’adressant à un public de moines et de disciples, JKLT utilise, peut-être à titre de consigne de mémorisation, environ 85 fois la formule : "Il faut savoir (shes bya)". Nous les avons omises assez souvent. Enfin, l’auteur emploie dans la fameuse partie des neuf exemples 50 fois le mot "voile". Si cela correspond à la rigueur logique de la démonstration tibétaine, en français il n’y a guère danger d’induire une incompréhension en traduisant dgrib, utilisé dans un sens très simple, par des variantes un peu plus plaisantes : "enterré", pour voilé par la terre, "enduit" pour voilé par l’argile, "enserré" pour voilé par les pétales d’un lotus, etc. C’est là un exemple des libertés que nous avons prises. Il y aurait d’autres exemples de ce type. Pour aller au plus simple, disons que nous ne nous sommes pas montrés les partisans d’un mot à mot millimétré quand le sens n’en souffrait pas.

Il est dans un sens dommage d’avoir à rendre accessible un texte ; on sent bien le risque de le dénaturer. Non seulement le commentaire de JKLT, s’il était traduit au mot près, ressemblerait à une suite indigeste de syllogismes, mais de plus nous sommes loin, oh combien, d’avoir une exacte science du glossaire épistémologique et ontologique des penseurs tibétains. Exemple pris au hazard, le lecteur pourra se demander pourquoi la vérité ultime est, comme le dit le texte, "au délà de l’analyse étymologique",juxtaposition d’idées étrangère à nos représentations de la vie spirituelle (à l’exception peut-être de la kabbale). Dans ce cas, nous pouvons risquer l’explication suivante. Même si le bouddhisme n’est pas en lui-même "égotiste", c’est toujours dans un cadre méthodologique d’origine indienne qu’il opère pour défendre sa position vis à vis de ses détracteurs. Or une école indienne d’importance posait, à la croisée de la grammaire et de la métaphysique, que le nom des choses ayant une existence propre, accéder à l’étymologie d’un mot, c’était se rapprocher de la réalité ultime du phénomène illustré par ce mot. Cette notion d’étude étymologique, même si le bouddhisme se l'est appropriée dans un but différent, est donc restée d’importance comme moyen d’accéder à la connaissance du réel.

Les penseurs tibétains ont même enrichi et donné de nouveaux développements aux sciences logiques, épistémologiques, etc.,par rapport à leurs maîtres indiens.

Il faut donc trouver quelque consolation dans l’idée que l’on était voué dès le départ à une demi-mesure. Ajoutons au passage qu’à cet éclairage, le travail décrié (pour cause d’hermétismes fréquents) d’un chercheur comme Stéphane Arguillère, prend toute sa valeur.

Quant à nous, nous nous sommes autorisés à insérer au début de certains chapitres des remarques en quelques lignes facilitant la compréhension de concepts originaux selon notre expérience de l’enseignement de KTGR.

On s’attend à ce que le lecteur ait lu auparavant, le Précieux Ornement de la libération, ouvrage dont Rimpoché juge acquise la connaissance avant d’enseigner la Continuité, ou du moins un ouvrage d’introduction générale, un lam rim, de la voie bouddhiste. La Continuité ne revient plus sur des données telles que les trois poisons, les cinq chemins, les dix terres, etc.

Puisse ce travail bénéficier à tous, en ces temps troublés.

Etienne L. Sarlat,France, janvier 2007. (Source Accessed June 15, 2020)
Loyon, Etienne, trans. "Traité de la Continuité ultime du Grand Véhicule (Theg Pa Chen Po rGyud bLama'i bsTan Chos)." De Maitreya, enseignement transmis à Asanga, avec le commentaire de Jamgön Kongtrul Rinpoche, L'Inéluctable Rugissement du lion (Mi lDog Pa Seng Ge nGa Ro) (web page). Marpa Network. http://www.khenpo.fr/continuite_ultime_accueil.html
Book
When the Clouds Part
"Buddha nature" (tathāgatagarbha) is the innate potential in all living beings to become a fully awakened buddha. This book discusses a wide range of topics connected with the notion of buddha nature as presented in Indo-Tibetan Buddhism and includes an overview of the sūtra sources of the tathāgatagarbha teachings and the different ways of explaining the meaning of this term. It includes new translations of the Maitreya treatise Mahāyānottaratantra (Ratnagotravibhāga), the primary Indian text on the subject, its Indian commentaries, and two (hitherto untranslated) commentaries from the Tibetan Kagyü tradition. Most important, the translator’s introduction investigates in detail the meditative tradition of using the Mahāyānottaratantra as a basis for Mahāmudrā instructions and the Shentong approach. This is supplemented by translations of a number of short Tibetan meditation manuals from the Kadampa, Kagyü, and Jonang schools that use the Mahāyānottaratantra as a work to contemplate and realize one’s own buddha nature. (Source: Shambhala Publications)
Brunnhölzl, Karl. When the Clouds Part: The Uttaratantra and Its Meditative Tradition as a Bridge between Sūtra and Tantra. Tsadra Foundation Series. Boston: Snow Lion Publications, 2014.
Text
 Ratnagotravibhāga Mahāyānottaratantraśāstra
The Ratnagotravibhāga, commonly known as the Uttaratantra, or Gyu Lama in Tibetan, is one of the main Indian scriptural sources for buddha-nature theory. It was likely composed during the fifth century, by whom we do not know. Comprised of verses interspersed with prose commentary, it systematizes the buddha-nature teachings that were circulating in multiple sūtras such as the Tathāgatagarbhasūtra, the Mahāparinirvāṇasūtra, and the Śrīmaladevisūtra. The Tibetan tradition attributes the verses to the Bodhisattva Maitreya and the commentary to Asaṅga, and treats the two as separate texts, although this division is not attested to in surviving Indian versions. The Chinese tradition attributes the text to *Sāramati (娑囉末底), but the translation itself does not include the name of the author, and the matter remains unsettled. It was translated into Chinese in the early sixth century by Ratnamati and first translated into Tibetan by Atiśa, although this text is not known to survive. Ngok Loden Sherab translated it a second time based on teachings from the Kashmiri Pandita Sajjana, and theirs remains the standard translation. It has been translated into English several times, and recently into French. See the Ratnagotravibhāgavyākhyā, read more about the Ratnagotravibhāga, or take a look at the most complete English translation in When the Clouds Part by Karl Brunnholzl.
Text
 Mahāyānasūtrālaṃkārakārikā
In Sanskrit, the “Ornament for the Mahāyāna Sūtras”; one of the Five Dharma Treatises of Maitreya (byams chos sde lnga) said to have been presented to Asaṅga by the bodhisattva Maitreya in the Tuṣita heaven. Written in verse, the text offers a systematic presentation of the practices of the bodhisattva from the standpoint of the Yogācāra school and is one of the most important of the Indian Mahāyāna śāstras. Its twenty-one chapters deal with (1) the proof that the Mahāyāna sūtras are the word of the Buddha; (2) taking refuge in the three jewels (ratnatraya); (3) the lineage (gotra) of enlightenment necessary to undertake the bodhisattva path; (4) the generation of the aspiration to enlightenment (bodhicittotpāda); (5) the practice of the bodhisattva; (6) the nature of reality, described from the Yogācāra perspective; (7) the attainment of power by the bodhisattva; (8) the methods of bringing oneself and others to maturation; (9) enlightenment and the three bodies of a buddha (trikāya); (10) faith in the Mahāyāna; (11) seeking complete knowledge of the dharma; (12) teaching the dharma; (13) practicing in accordance with the dharma; (14) the precepts and instructions received by the bodhisattva; (15) the skillful methods of the bodhisattva; (16) the six perfections (pāramitā) and the four means of conversion (saṃgrahavastu), through which bodhisattvas attract and retain disciples; (17) the worship of the Buddha; (18) the constituents of enlightenment (bodhipākṣikadharma); (19) the qualities of the bodhisattva; and (20-21) the consummation of the bodhisattva path and the attainment of buddhahood. (Source: The Princeton Dictionary of Buddhism, p. 514)
Text
 Abhisamayālaṃkāranāmaprajñāpāramitopadeśaśāstrakārikā
In Sanskrit, “Ornament of Realization”; a major scholastic treatise of the Mahāyāna, attributed to Maitreyanātha (c. 330 ce). Its full title is Abhisamayālaṃkāra-prajñāpāramitā upadeśa-śāstra (T. Shes rab kyi pha rol tu phyin pa'i man ngag gi bstan bcos mngon par rtogs pa'i rgyan) or “Treatise Setting Forth the Perfection of Wisdom called ‘Omament for Realization.’” In the Tibetan tradition, the Abhisamayālaṃkāra is counted among the five treatises of Maitreya (Byams chos sde lnga). The 273 verses of the Abhisamayālaṃkāra provide a schematic outline of the perfection of wisdom, or prajñāpāramitā, approach to enlightenment, specifically as delineated in the Pañcaviṃśati-sāhasrikā Prajñāpāramitā (“Perfection of Wisdom in Twenty-Five Thousand Lines”). This detailed delineation of the path is regarded as the “hidden teaching” of the prajñāpāramitā sūtras. Although hardly known in East Asian Buddhism (until the modern Chinese translation by Fazun), the work was widely studied in Tibet, where it continues to hold a central place in the monastic curricula of all the major sects. (Source: The Princeton Dictionary of Buddhism, p. 11)
Text
 Madhyāntavibhāgakārikā
In Sanskrit, “Differentiation of the Middle Way and the Extremes”; one of the Five Dharma Treatises of Maitreya (byams chos sde lnga) said to have been presented to Asaṅga by the bodhisattva Maitreya in the Tuṣita heaven. Written in verse, it is one of the most important Yogācāra delineations of the three natures (trisvabhāva), especially as they figure in the path to enlightenment, where the obstacles created by the imaginary (parikalpita) are overcome ultimately by the antidote of the consummate (pariniṣpanna). The “middle way” exposed here is that of the Yogācāra, and is different from that of Nāgārjuna, although the names of the two extremes to be avoided—the extreme of permanence (śāśvatānta) and the extreme of annihilation (ucchedānta)—are the same. Here the extreme of permanence is the existence of external objects, the imaginary nature (parikalpitasvabhāva). The extreme of annihilation would seem to include Nāgārjuna’s emptiness of intrinsic nature (svabhāva). The middle way entails upholding the existence of consciousness (vijñāna) as the dependent nature (paratantrasvabhāva) and the existence of the consummate nature (pariniṣpannasvabhāva). The work is divided into five chapters, which consider the three natures, the various forms of obstruction to be abandoned on the path, the ultimate truth according to Yogācāra, the means of cultivating the antidotes to the defilements, and the activity of the Mahāyāna path. (Source: The Princeton Dictionary of Buddhism, p. 489)
Text
 dharmadharmatāvibhāga
One of the Five Dharma Treatises of Maitreya (byams chos sde lnga). This work exists only in Tibetan translation, of which there are two versions: the Dharmadharmatāvibhāga (chos dang chos nyid rnam par 'byed pa) presented in prose, and the Dharmadharmatāvibhāgakārikā (chos dang chos nyid rnam par 'byed pa'i tshig le'ur byas pa) presented in verse. "The text explains saṃsāra (= dharma) and the nirvāṇa (= dharmatā) attained by the śrāvaka, pratyekabuddha, and bodhisattva; like the Madhyāntavibhāga, it uses the three-nature (trisvabhāva) terminology to explain that, because there is no object or subject, the transcendent is beyond conceptualization. It presents the paths leading to transformation of the basis (aśrayaparāvṛtti), and enumerates ten types of tathatā (suchness)." (Source: The Princeton Dictionary of Buddhism, p. 244)

On the topic of this person

Book
A Feast of the Nectar of the Supreme Vehicle
A monumental work and Indian Buddhist classic, the Ornament of the Mahāyāna Sūtras (Mahāyānasūtrālamkāra) is a precious resource for students wishing to study in-depth the philosophy and path of Mahāyāna Buddhism. This full translation and commentary outlines the importance of Mahāyāna, the centrality of bodhicitta or the mind of awakening, the path of becoming a bodhisattva, and how one can save beings from suffering through skillful means.

This definitive composition of Mahāyāna teachings was imparted in the fourth century by Maitreya to the famous adept Asanga, one of the most prolific writers of Buddhist treatises in history. Asanga’s work, which is among the famous Five Treatises of Maitreya, has been studied, commented upon, and taught by Buddhists throughout Asia ever since it was composed.

In the early twentieth century, one of Tibet’s greatest scholars and saints, Jamgön Mipham, wrote A Feast of the Nectar of the Supreme Vehicle, which is a detailed explanation of every verse. This commentary has since been used as the primary blueprint for Tibetan Buddhists to illuminate the depth and brilliance of Maitreya’s pith teachings. The Padmakara Translation Group has provided yet another accessible and eloquent translation, ensuring that English-speaking students of Mahāyāna will be able to study this foundational Buddhist text for generations to come. (Source: Shambhala Publications)
Gethin, Stephen (Padmakara Translation Group), trans. A Feast of the Nectar of the Supreme Vehicle: An Explanation of the Ornament of the Mahāyāna Sūtras; Maitreya's Mahāyānasūtrālaṃkāra with a Commentary by Jamgön Mipham. Boulder, CO: Shambhala Publications, 2018.
Article
Hōshōron miroku chosaku setsu no kagen nendai saikō: Tonkō bonbun dankan IOL Khot S 5 to Pelliot 2740 no setsugō fukugen to nendai suitei
It was reported by H. W. Bailey that a Khotanese-hybrid Sanskrit manuscript fragment from Dunhuang, IOL Khot S5 (abbr. S5) verso side, quotes verses from the Ratnagotravibhāga (abbr. RGV) and attributes them to Maitreya. S5 is the earliest text hitherto known that ascribes the authorship of the RGV to Maitreya. While Bailey dates the S5 verso side to the period between the end of the 8th century and the 11th century, we can now further specify the date of composition as some time between the first half of the 9th century and the 11th century. Our rationale for this more specific terminus post quem is that the Chinese version of the Aparimitāyurjñānadhāraṇī (無量寿宗要経) written on the recto side of S5 is likely one of the numerous copies of the sūtra produced during (or shortly after) the reign of king Khri gtsug lde btsan, that is, during the first half of the 9th century. This fact is attested by two witnesses: Pelliot Tibétain 999 and the colophon of S5 recto side. There is also another Dunhuang Sanskrit fragment (Pelliot Chinois 2740) which quotes the RGV, and it is identified as the missing part of S5: the text of Pelliot 2740 recto precisely supplies the missing portion of S5 recto, and the two fragments are very similar in terms of size, material, and scripts. (Source: Academia.edu)
Kano, Kazuo. "Hōshōron miroku chosaku setsu no kagen nendai saikō: Tonkō bonbun dankan IOL Khot S 5 to Pelliot 2740 no setsugō fukugen to nendai suitei" (Dating the Earliest Source That Attributes the Ratnagotravibhāga to Maitreya: Sanskrit Fragments IOL Khot S 5 and Pelliot 2740 from Dunhuang). Indogaku Bukkyōgaku Kenkyū (Journal of Indian and Buddhist Studies) 60, no. 2 (2012): 168–74.
Video
John Canti: On the Legends behind the Five Treatises of Maitreya
Canti, John. "On the Legends behind the Five Treatises of Maitreya." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 25, 2022. Video, 7:58. https://www.youtube.com/watch?v=soU-n3Gb59o.
Canti, John. "On the Legends behind the Five Treatises of Maitreya." Conversations on Buddha-Nature with Lopen Dr. Karma Phuntsho. Produced by the Tsadra Foundation Research Department, June 25, 2022. Video, 7:58. https://www.youtube.com/watch?v=soU-n3Gb59o.
Article
La philosophie bouddhique idéaliste
No abstract given. Here is the first relevant paragraph:

Du III au VII siècle de notre ère, selon la chronologie la plus souvent admise, la pensée bouddhique en Inde a trouvé une expression particulièrement brillante dans l'école dite du Vijñānavāda «doctrine de la connaissance». Les premiers ouvrages ressortissant à cette école en tant que telle peuvent être datés du début du Ill siècle. Au cours de ce siècle et du suivant, elle constitue peu à peu ses thèses, notamment à travers les ouvrages de Maitreya-nātha, d'Asaṅga et de Vasubandhu l'ancien. Je désignerai les développements de cette période sous le nom de Vijñānavāda ancien. Au V siècle, Vasubandhu le jeune cherche à fixer et à synthétiser la doctrine; ses travaux ouvrent la période de ce que j'ai appelé le Vijñānavāda classique, caractérisée par une abondante littérature de commentaires qu'illustrent en particulier les noms de Sthiramati, Dharmapāla et Hiuan-tsang. Le present exposé s'attachera à retracer brièvement l'histoire du Vijñānavāda, puis à exposer la doctrine classique. (May, "La philosophie bouddhique idéaliste," 265)

English Translation:

From the third to the seventh century AD, according to the most commonly accepted chronology, Buddhist thought in India found a particularly brilliant expression in the school known as the Vijñānavāda "doctrine of knowledge". The first works coming out of this school as such can be dated to the beginning of the 11th century. During this century and the following, it gradually built up its theses, notably through the works of Maitreya-nātha, Asaṅga and Vasubandhu the Elder. I will designate the developments of this period under the name of ancient Vijñānavāda. In the fifth century, Vasubandhu the Younger sought to fix and synthesize the doctrine; his works open the period of what I have called the classical Vijñānavāda, characterized by an abundant literature of commentaries that illustrate in particular the names of Sthiramati, Dharmapāla and Hiuan-tsang. This presentation will focus on briefly recounting the history of Vijñānavāda, then explaining classical doctrine.
May, Jacques. "La philosophie bouddhique idéaliste." Asiatische Studien 25 (1971): 265–323.
Book
Maitreya's Distinguishing the Middle from the Extremes
Maitreyanātha's Distinguishing the Middle from the Extremes (Madhyāntavibhāga) was transmitted to us by the noble Asaṅga, great saint and champion scholar of fourth century CE Indic Buddhism—along with Vasubandhu’s commentary on the text. It is one of the five seminal texts of what the Tibetans call the “magnificent deeds tradition of universal vehicle Buddhism, according to its spiritual focus and ethical impact. Its emphasis on the nondual, primarily mental nature of reality most powerfully supports the great messianic vow of the bodhisattva, the entry into the universal vehicle lifestyle. In his study introducing the translation, Dr. D'Amato analyzes and elucidates the teachings of this text and its associated school with great learning and insight. (Source: Tibet House)
D'Amato, Mario, trans. Maitreya's Distinguishing the Middle from the Extremes (Madhyāntavibhāga): Along with Vasubandhu's Commentary (Madhyāntavibhāga-bhāṣya); A Study and Annotated Translation. Treasury of the Buddhist Sciences. Tengyur Translation Initiative. New York: American Institute of Buddhist Studies, Columbia University's Center for Buddhist Studies and Tibet House US, 2012.
Book
Middle Beyond Extremes
Middle Beyond Extremes contains a translation of the Buddhist masterpiece Distinguishing the Middle from Extremes. This famed text, often referred to by its Sanskrit title, Madhyāntavibhāga, is part of a collection known as the Five Maitreya Teachings. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita.

In pithy verses, Distinguishing the Middle from Extremes employs the principle of the three natures to explain the way things seem to be as well as the way they actually are. Unraveling the subtle processes that condition our thinking and experience, Maitreya’s teaching reveals a powerful path of compassionate vision and spiritual transformation.

Distinguishing the Middle from Extremes is presented here alongside commentaries by two outstanding masters of Tibet’s nonsectarian Rimé movement, Khenpo Shenga and Ju Mipham. (Source: Shambhala Publications)
Dharmachakra Translation Committee, trans. Middle Beyond Extremes: Maitreya's Madhyāntavibhāga with Commentaries by Khenpo Shenga (gzhan phan chos kyi snang ba) and Ju Mipham ('ju mi pham rgya mtsho). Ithaca, NY: Snow Lion Publications, 2006.
Video
On Rangtong and Shentong Views of Buddha-Nature by Tokpa Tulku
Tokpa Tulku describes the differences between the rangtong and shentong views of buddha-nature. He follows Mipam rinpoche in describing these seemingly opposing views as two different ways of describing the same buddha-nature. While many scholars have emphasized the emptiness aspect or the luminous or permanent aspect of buddha-nature, both, he suggests, need to be brought together in order to go beyond extremes and dualistic thinking.
Tokpa Tulku. “On Rangtong and Shentong Views of Buddha-Nature.” Interview by Marcus Perman. Tsadra Foundation Research Department, April 22, 2019. Video, 4:12. https://youtu.be/VJZ3wU4W9Gw.
Book
Ornament of the Great Vehicle Sūtras
The Buddhist masterpiece Ornament of the Great Vehicle Sūtras, often referred to by its Sanskrit title, Mahāyānasūtrālaṃkāra, is part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita.

The Ornament provides a comprehensive description of the bodhisattva’s view, meditation, and enlightened activities. Bodhisattvas are beings who, out of vast love for all sentient beings, have dedicated themselves to the task of becoming fully awakened buddhas, capable of helping all beings in innumerable and vast ways to become enlightened themselves. To fully awaken requires practicing great generosity, patience, energy, discipline, concentration, and wisdom, and Maitreya’s text explains what these enlightened qualities are and how to develop them.

This volume includes commentaries by Khenpo Shenga and Ju Mipham, whose discussions illuminate the subtleties of the root text and provide valuable insight into how to practice the way of the bodhisattva. Drawing on the Indian masters Vasubandhu and, in particular, Sthiramati, Mipham explains the Ornament with eloquence and brilliant clarity. This commentary is among his most treasured works. (Source: Shambhala Publications)
Dharmachakra Translation Committee, trans. Ornament of the Great Vehicle Sūtras: Maitreya’s Mahāyānasūtrālaṃkāra with Commentaries by Khenpo Shenga (mkhan po gzhan dga') and Ju Mipham ('ju mi pham). Boston: Snow Lion Publications, 2014.
Article
Two Main Streams of Thought in Yogācāra Philosophy
No abstract given. Here are the first relevant paragraphs:

In the tradition of Buddhism which has been transmitted to China and Japan, we can see two basically different streams of thought in the Yogācāra philosophy. Although this fact is well-known among Japanese scholars, it does not seem to be widely known among American, European, and Indian scholars. In order to understand correctly the Yogācāra philosophy, however, the clear understanding of these two streams of thought, their mutual differences, and their relation to the theories of Maitreya, Asaṅga, and Vasubandhu is indispensable.
      One of these two streams was introduced into China by Hsuang-tsang. Although the thought of this stream can be known through the works of Maitreya, Asaṅga, and Vasubandhu as translated by Hsuang-tsang, it can be known in its most all-inclusive and systematic form in the Ch'eng wei shih lun of Dharmapāla.[1] This stream of thought continued from the time of Hsuang-tsang to the present day. Happily, it did not die out in China and Japan where its study was continued and where present-day scholars are well acquainted with it. There is no unclear point as regards the more important aspects of this stream of thought.
      The other stream of thought, represented by the works of Maitreya, Asaṅga, and Vasubandhu as translated by Buddhasānta, Bodhiruci, Paramārtha, Dharmagupta, Prabhākaramitra, and others, was introduced into China before the time of Hsuang-tsang. The translations of these masters, unlike those of the other stream, were not widely studied and the actual nature of its thought is difficult to determine. With the exception of Paramārtha, there are only one or two translated works of each of these masters. And, even in the study of their works, it is not possible to determine the differences from the other stream of Yogācāra thought.
      Paramārtha, however, translated a great many of the important works of Maitreya, Asaṅga, and Vasubandhu. And, with the discovery and publication of the Sanskrit texts, eminent scholars of Japan have done comparative studies based on the Sanskrit original and the Chinese and Tibetan translations in order to determine the extent to which the stream of thought introduced into China before the time of Hsuang-tsang differs from that stream which was introduced by Hsuang-tsang. The results of this research clearly show that there is a fundamental difference between the theory introduced by Paramārtha and that of Hsuang-tsang. The importance of this difference lies in the fact that the theories introduced by Paramārtha and Hsuang-tsang are both said to be the theories of Maitreya, Asaṅga, and Vasubandhu. If the theories of Paramārtha and Hsuang-tsang are fundamentally different, the problem arises as to which transmission is faithful to the theories of Maitreya, Asaṅga, and Vasubandhu; or, if they are both separate traditions, what was the theory of Maitreya, Asaṅga, and Vasubandhu? This has been the focus of attention of present-day Japanese scholars doing research in the Yogācāra philosophy. As the studies of the Yogācāra philosophy by Western and Indian scholars have been lacking in knowledge of these two streams of thought, their interpretations of the central problems of the Yogācāra philosophy have been ambiguous and often erroneous and do not show a clear understanding of it. Their understanding of the Yogācāra philosophy is not in accord with the theory of either one of these two streams of thought. And, because the differences between their interpretations and the two streams of thought are not clear, one cannot find a clear-cut understanding of the theories of Maitreya, Asaṅga, and Vasubandhu.
       It is my aim in this paper to present the differences of interpretation of these two streams of thought relating to the theories of Maitreya, Asaṅga, and Vasubandhu which were transmitted to China and to examine the question of which of the two streams is faithful to the thought of Maitreya, Asaṅga, and Vasubandhu. As this paper cannot possibly deal with the whole of the Yogācāra philosophy, it will deal with only a few of the essential points. (Ueda, preparatory remarks, 155–56)

Read more here . . .


Notes
  1. Dharmapāla and others, Ch'eng wei shih lun,P Taishō-Daizōkyō, Vol. 31, No. 1585. French translation: "Vijñaptimātratāsiddhi," by Dharmapāla, translated from Chinese into French by La Vallée Poussin (Paris, 1928-1929).
Ueda, Yoshifumi. "Two Main Streams of Thought in Yogācāra Philosophy". Philosophy East and West 17, no. 1/4 (1967):155–65.
Text
 Mahāyānasūtrālaṃkārakārikā
In Sanskrit, the “Ornament for the Mahāyāna Sūtras”; one of the Five Dharma Treatises of Maitreya (byams chos sde lnga) said to have been presented to Asaṅga by the bodhisattva Maitreya in the Tuṣita heaven. Written in verse, the text offers a systematic presentation of the practices of the bodhisattva from the standpoint of the Yogācāra school and is one of the most important of the Indian Mahāyāna śāstras. Its twenty-one chapters deal with (1) the proof that the Mahāyāna sūtras are the word of the Buddha; (2) taking refuge in the three jewels (ratnatraya); (3) the lineage (gotra) of enlightenment necessary to undertake the bodhisattva path; (4) the generation of the aspiration to enlightenment (bodhicittotpāda); (5) the practice of the bodhisattva; (6) the nature of reality, described from the Yogācāra perspective; (7) the attainment of power by the bodhisattva; (8) the methods of bringing oneself and others to maturation; (9) enlightenment and the three bodies of a buddha (trikāya); (10) faith in the Mahāyāna; (11) seeking complete knowledge of the dharma; (12) teaching the dharma; (13) practicing in accordance with the dharma; (14) the precepts and instructions received by the bodhisattva; (15) the skillful methods of the bodhisattva; (16) the six perfections (pāramitā) and the four means of conversion (saṃgrahavastu), through which bodhisattvas attract and retain disciples; (17) the worship of the Buddha; (18) the constituents of enlightenment (bodhipākṣikadharma); (19) the qualities of the bodhisattva; and (20-21) the consummation of the bodhisattva path and the attainment of buddhahood. (Source: The Princeton Dictionary of Buddhism, p. 514)
Text
 Abhisamayālaṃkāranāmaprajñāpāramitopadeśaśāstrakārikā
In Sanskrit, “Ornament of Realization”; a major scholastic treatise of the Mahāyāna, attributed to Maitreyanātha (c. 330 ce). Its full title is Abhisamayālaṃkāra-prajñāpāramitā upadeśa-śāstra (T. Shes rab kyi pha rol tu phyin pa'i man ngag gi bstan bcos mngon par rtogs pa'i rgyan) or “Treatise Setting Forth the Perfection of Wisdom called ‘Omament for Realization.’” In the Tibetan tradition, the Abhisamayālaṃkāra is counted among the five treatises of Maitreya (Byams chos sde lnga). The 273 verses of the Abhisamayālaṃkāra provide a schematic outline of the perfection of wisdom, or prajñāpāramitā, approach to enlightenment, specifically as delineated in the Pañcaviṃśati-sāhasrikā Prajñāpāramitā (“Perfection of Wisdom in Twenty-Five Thousand Lines”). This detailed delineation of the path is regarded as the “hidden teaching” of the prajñāpāramitā sūtras. Although hardly known in East Asian Buddhism (until the modern Chinese translation by Fazun), the work was widely studied in Tibet, where it continues to hold a central place in the monastic curricula of all the major sects. (Source: The Princeton Dictionary of Buddhism, p. 11)
Text
 dharmadharmatāvibhāga
One of the Five Dharma Treatises of Maitreya (byams chos sde lnga). This work exists only in Tibetan translation, of which there are two versions: the Dharmadharmatāvibhāga (chos dang chos nyid rnam par 'byed pa) presented in prose, and the Dharmadharmatāvibhāgakārikā (chos dang chos nyid rnam par 'byed pa'i tshig le'ur byas pa) presented in verse. "The text explains saṃsāra (= dharma) and the nirvāṇa (= dharmatā) attained by the śrāvaka, pratyekabuddha, and bodhisattva; like the Madhyāntavibhāga, it uses the three-nature (trisvabhāva) terminology to explain that, because there is no object or subject, the transcendent is beyond conceptualization. It presents the paths leading to transformation of the basis (aśrayaparāvṛtti), and enumerates ten types of tathatā (suchness)." (Source: The Princeton Dictionary of Buddhism, p. 244)

About this person

  1. The Ornament of Clear Realization - Sanskrit: अभिसमयालंकार-नाम-प्रज्ञापारमितोपदेशशास्त्रकारिका (abhisamayālaṃkāra-nāma-prajñāpāramitopadeśaśāstrakārikā) - Tibetan: ཤེས་རབ་ཕྱི་ཕ་རོལ་ཏུ་ཕྱིན་པའི་མན་ངག་གི་བསྟན་བཅོས་མངོན་པར་རྟོགས་པའི་རྒྱན་ཞེས་བྱ་བའི་ཚིག་ལེའུར་བྱས་པ། (shes rab phyi pha rol tu phyin pa'i man ngag gi bstan bcos mngon par rtogs pa'i rgyan zhes bya ba'i tshig le'ur byas pa). "Ngon par Tokpay Gyen" for short (mngon par rtogs pa'i rgyan). Translated by Gomi Chime (Go mi 'chi med) and Loden Sherab (Blo ldan shes rab). Dege 3786, shes phyin, ka 1b1-13a7. P 5184, sher phyin, ka 1a1-15b3 (vol.88, p.1-8). Narthang 3957, sher phyin, ka 1a1-14a1.
  2. The Ornament of the Mahayana Sutras - Sanskrit: महायानसूत्रालंकारकारिका (mahāyānasūtrālaṃkārakārikā); Tibetan: ཐེག་པ་ཆེན་པོ་མདོ་སྡེའི་རྒྱན་ཞེས་བྱ་བའི་ཚིག་ལེའུར་བྱས་པ། (theg pa chen po mdo sde'i rgyan zhes bya ba'i tshig le'ur byas pa). Revised by Parahita and Sajjana, Translated into Tibetan by Śākyasimha, Loden Sherab and Paltseg. Dege 4020, sems tsam, phi 1a1-39a4. P 5521, sems tsam, phi 1-43b3 (vol.108, p.1-19). Narthang phi 1a1-38a2. Kinsha 3520, phi 1b1 (p.1-2-1).
  3. Distinguishing the Middle from the Extremes - Sanskrit: मध्यान्तविभाग (madhyāntavibhāga). Tibetan: དབུས་དང་མཐའ་རྣམ་པར་འབྱེད་པའི་ཚིག་ལེའུར་བྱས་པ། (dbus dang mtha' rnam par 'byed pa'i tshig le'ur byas pa). Chinese: 辯中邊論頌 (bian zhong bian lun song). Translated by Jinamitra, Śīlendrabodhi, and Yeshe De (Ye-shes-sde). Dege 4021, sems tsam, phi 40b1-45a6. P 5522, seems tsam, phi 43b4-48b1 (vol.108, p.19-21). Narthang phi 38a2-42a6. Kinsha 3521, phi 47b1 (p.25-2-1).
  4. Distinguishing Phenomena and the Nature of Phenomena - Sanskrit: धर्मधर्मताविभाग (dharmadharmatāvibhāga). Tibetan:ཆོས་དང་ཆོས་ཉིད་རྣམ་པར་འབྱེད་པ། (chos dang chos nyid rnam par 'byed pa). Translated by Śāntibhadra and Tsultrim Gyalwa (Tshul khrims rgyal ba). Revised by Pandit Parahita and Gador (dgah rdor). Dege 4022, sems tsam, phi 46b1-49a6. P 5523, sems tsam, phi 48b1-51b6 (vol.108, p.21-22). Narthang phi 42a6-45b3. Kinsha 3522, phi 54b1 (p.29-1-1).
  5. The Sublime Continuum - The Treatise on the Ultimate Continuum of the Mahāyāna - Sanskrit: महायानोत्तरतन्त्रशास्त्र-रत्नगोत्र-विभाग (mahāyānottaratantraśāstra-ratnagotra-vibhāga). Tibetan: ཐེག་པ་ཆེན་པོ་རྒྱུད་བླ་མའི་བསྟན་བཅོས། (theg pa chen po rgyud bla ma'i bstan bcos). Chinese: 究竟一乘寶性論 (jiu jing yi ch'eng bao xing lun). Translated into Tibetan by Sajjana and Loden Sherab. Dege 4024, sems tsam, phi 54b1-73a7. P 5525, sems tsam, phi 54b7-74b6 (vol.108, p.24-32). Narthang phi 48b3-69a3. Kinsha 3524, phi 64b1 (p.33-3-1).

Philosophical positions of this person

Is buddha-nature considered definitive or provisional?
Definitive 
Do all beings have buddha-nature?
Yes 
To which "turning of the wheel" do the buddha-nature teachings belong?
 
Is buddha-nature equated with emptiness or alayavijnana?
 
Do buddha-nature teachings belong to the zhentong or rangtong view of emptiness?
 
Are there one or three vehicles on the path to buddhahood?
 
Do the author's writings belong to the analytic or meditative tradition of Uttaratantra exegesis?
 
What is Buddha-nature?
 
Does the author advocate the Svatantrika or Prasangika view of emptiness?
 

Other names

  • འཕགས་པ་བྱམས་པ་ · other names (Tibetan)
  • བྱམས་པའི་མགོན་པོ་ · other names (Tibetan)
  • མགོན་པོ་བྱམས་པ་ · other names (Tibetan)
  • མ་ཕམ་པ་ · other names (Tibetan)
  • 'phags pa byams pa · other names (Wylie)
  • byams pa'i mgon po · other names (Wylie)
  • mgon po byams pa · other names (Wylie)
  • ma pham pa · other names (Wylie)
  • Ajita · other names

Affiliations & relations

  • Asaṅga · student
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