Multivariant Levels of Interpretations on Selected Caryās

From Buddha-Nature
< BooksBooks/Multivariant Levels of Interpretations on Selected Caryās
No edit summary
No edit summary
Line 102: Line 102:
***{{i|a. Part one: About the author: Tāṛakapā|140}}
***{{i|a. Part one: About the author: Tāṛakapā|140}}
***{{i|b. Part Two: Textual Studies and translation|140}}
***{{i|b. Part Two: Textual Studies and translation|140}}
***{{i|c. Translations:141}}
***{{i|c. Translations|141}}
***{{i|d. Sandhabhāṣā:142}}
***{{i|d. Sandhabhāṣā|142}}
***{{i|e. Mahāmudra depictions in sandhabhāṣā|144}}
***{{i|e. Mahāmudra depictions in sandhabhāṣā|144}}
**{{i|11. CARYĀ THIRTY-EIGHT: Paddling and towing a boat|146}}
**{{i|11. CARYĀ THIRTY-EIGHT: Paddling and towing a boat|146}}
Line 122: Line 122:
*{{i|VIII. Bibliography|165}}
*{{i|VIII. Bibliography|165}}
|AddRelatedTab=No
|AddRelatedTab=No
|StopPersonRedirects=No
}}
}}

Revision as of 20:12, 28 July 2020

Multivariant Levels of Interpretations on Selected Caryās
Thesis
Thesis

Abstract

The objective of this thesis is to investigate the multivariant levels of interpretation within selected Caryās. The Caryās selected depict Buddha Nature as it was understood in tāntric Buddhism in the area of Bengal. There are three levels of interpretation. The first level is the blatant meaning, and is outlined in the translation section of the songs. The second level is the anuyoga/Mother tāntra meaning. A comparison is made between the interpretations of selected scholars. The final level is the Mahāmudra meaning. This level is inferred from various textual sources.

Citation Bhattacherjee, Rupa. "Multivariant Levels of Interpretations on Selected Caryās." MA thesis, University of Calgary, 2000. https://www.collectionscanada.gc.ca/obj/s4/f2/dsk2/ftp03/MQ55135.pdf.